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The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
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Kevin's mind goes to extremely interesting places. Every time we get a script, I go, 'Oh my God, I really didn't see that coming'.
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Things could be worse. You remember that, and you go on with your life.
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'Animal House' was my first movie, so I didn't have anything to compare it to. I was a sight gag more than anything else. So I can't say it was one of those things where your life changes. When the movie came out, I had to ask for the night off at the bar.
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I always have to make it as clear as I possibly can that fame is 99.9 percent good.
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I like to hike and cook. I enjoy furniture and design - not making it, just looking at it. I'm always kind of trying to spread my interests around and try new things.
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I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.
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Fame is something that is tough when it comes. It's a weird thing to take on in real life. I was a little bit afraid and, as a result, kind of turned my back on it. You should embrace it because it's going to be a part of who you are, and it's going to be a part of what this business is about.
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I started making movies in 1977, and I didn't even think about the idea that I would ever be on a television show. Once I finished the 'Guiding Light,' I was like, 'I'm done with television!'
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If you look at films about becoming a man, coming-of-age movies are made with 12-, 16-, 40-, 50-year-olds... For a guy to feel like he's a 100 percent grown-up is almost like giving up. Like admitting that you're on your way into the grave.
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It does get old to have to always be a monkey in a zoo. I don't know what it's like any more to be anonymous.
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I'm very comfortable being married to an extremely strong, opinionated, and driven woman. But I also sit at the head of the table. I have both of those sides to me.
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I'm new to this TV thing, at least as an actor. It's a challenge. The thing I have to adjust to is the changing directors every week. That's new for me. I tend to establish with a director - and then two days later, he's gone.
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I do struggle with how much and in which way, as an artist or celebrity, that you voice your political views.
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Here's the thing - I mean, I don't act for statues. I really don't. The great thing about winning an award is that it creates opportunities.
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I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
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Being with Kyra is so natural for me; it's the easiest aspect of my life. I know that I don't need a beach or room service to be happy.
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Clint Eastwood has always been a hero.
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Do you want to be the guy with a game named after you or be the one with 18 Oscar nominations?
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The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.
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We are being choked to death by the amount of plastic that we throw away. It's killing our oceans. It's entering into our bodies in the fish we eat.
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I didn't get into this so I could talk about my work, my movies. You become an actor to act.
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I'm not someone who comes onstage and says, 'I'm rewriting this now.' I don't think it's fair to the writers or the director, or the other actors.
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Critics can be your most important friend. I don't read criticism of my stuff only because when it's bad, it's rough-and when it's good, it's not good enough.