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The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
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I've made three studio albums and one live one with my brother. It's melodic singer-songwriter acoustic-rock music.
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I always have to make it as clear as I possibly can that fame is 99.9 percent good.
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I think we all have a lot of darkness in our bellies. As an actor, the challenge of tapping into that, reaching down into that sadness or anger, is very therapeutic.
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Things could be worse. You remember that, and you go on with your life.
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It does get old to have to always be a monkey in a zoo. I don't know what it's like any more to be anonymous.
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I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.
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Kevin's mind goes to extremely interesting places. Every time we get a script, I go, 'Oh my God, I really didn't see that coming'.
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I like to hike and cook. I enjoy furniture and design - not making it, just looking at it. I'm always kind of trying to spread my interests around and try new things.
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I started making movies in 1977, and I didn't even think about the idea that I would ever be on a television show. Once I finished the 'Guiding Light,' I was like, 'I'm done with television!'
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The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.
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Being with Kyra is so natural for me; it's the easiest aspect of my life. I know that I don't need a beach or room service to be happy.
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If you look at films about becoming a man, coming-of-age movies are made with 12-, 16-, 40-, 50-year-olds... For a guy to feel like he's a 100 percent grown-up is almost like giving up. Like admitting that you're on your way into the grave.
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I'm very comfortable being married to an extremely strong, opinionated, and driven woman. But I also sit at the head of the table. I have both of those sides to me.
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I'm new to this TV thing, at least as an actor. It's a challenge. The thing I have to adjust to is the changing directors every week. That's new for me. I tend to establish with a director - and then two days later, he's gone.
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I do struggle with how much and in which way, as an artist or celebrity, that you voice your political views.
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I have fond memories of Chris Penn, who's sadly not with us. He always made me laugh - it was great to be with him.
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We are being choked to death by the amount of plastic that we throw away. It's killing our oceans. It's entering into our bodies in the fish we eat.
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Doing funny scary is something that is rarely good and rarely works, and it's also something that's incredibly hard to market.
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For years and years, people would say, 'The business is changing.' And I would say, 'The business is not changing. It's exactly the same as it was in the '70s, the '80s and the '90s.' But all of a sudden, the business changed, and it really did change.
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I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
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Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.
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Here's the thing - I mean, I don't act for statues. I really don't. The great thing about winning an award is that it creates opportunities.
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I'd really like to get the girl, shoot the gun, drive the car, have fun. I even have these kind of action dreams, where I'm the action guy.