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My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
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You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that.
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I like the old days when, if I wrote a song and I recorded it, it didn't mean somebody else couldn't record it.
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I've always been in touring bands in some capacity.
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At the end of the day, I just have to do what I do and let it be what it's gonna be.
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I don't feel like songs should be hoarded. I don't feel like one's tainted if somebody else does it. That's the mark of artistry - take a song that's maybe even a really popular song and do it your own way. I think that's cool.
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I always like to write the songs, and they get turned loose into the world, and who knows what happens to them. That's the joy of being a songwriter. You get to hear what other people do, interpretation-wise.
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There are great songs out there, and if I love them, and I know them, I'm going to sing them just because that's what songs are for.
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I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
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Great musicians are great musicians, whether they're playing a trombone or an electric guitar or a xylophone.
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If you go in RCA A, you'll realize that it's not just a Nashville thing. It's a studio that belongs to music.
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Music is not a game to me. I take it very seriously.
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I am always interested in making myself as uncomfortable as I can. Sometimes I ask myself, 'Can I stand onstage and sing this song and sell it?' Sometimes I can't. In a room, you get to pretend a little bit and step outside of yourself.
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My wife has great taste in everything but men. The vast majority of the songs on my debut album, 'Traveller,' came from lists she made.
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I don't think country music needs saving from anything.
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I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.
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As long as people are buying music, it's good for everybody.
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I think the path is different for everybody. Go after the doors that are open to you. That has always been my motto getting into the music business. Do the things that seem to be good opportunities and work hard at it. Try to make good decisions and be nice. Hopefully all of that will pay off at some point.
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I'm not reinventing the wheel here. I'm not Chuck Berry or Bill Monroe. Guys like that are from outer space.
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Country music is one of those places where we support each other and prop each other up.
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I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.
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It's such a strange marriage, a song and someone that sings it. When that works, it really works, and when it doesn't, it doesn't.
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It's nice to see people invest in what you do as an artist and sing the songs back at you and feel something. You get to feel something more than what you were feeling when you made the record.
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Anyone who says it's so easy to write a country hit and that it's just a formula - well, try it sometime. If it was that easy, everybody would be doing it.