Chris Stapleton Quotes
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I like places that have history in the sense of - you feel responsible to it.
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I think the path is different for everybody. Go after the doors that are open to you. That has always been my motto getting into the music business. Do the things that seem to be good opportunities and work hard at it. Try to make good decisions and be nice. Hopefully all of that will pay off at some point.
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I don't know that my voice ever makes sense anywhere, necessarily. I would sing bluegrass music, and I don't fit in there; I would sing rock music, and I'm probably a little too hillbilly for that. And country, I'm too much rock n' roll for there sometimes.
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College didn't stick, so I worked odd jobs, but I've always written songs and played music. I actually met a guy who was a songwriter, which I didn't realize was a real job.
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I don't feel like songs should be hoarded. I don't feel like one's tainted if somebody else does it. That's the mark of artistry - take a song that's maybe even a really popular song and do it your own way. I think that's cool.
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You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that.
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America's military allow the rest of us to do what we do.
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I always just try to write the best songs that I can at any given time, and sometimes those songs are for me, and sometimes they're for other people. And that's to be evaluated after the fact.
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Great musicians are great musicians, whether they're playing a trombone or an electric guitar or a xylophone.
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Music is not a game to me. I take it very seriously.
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I'm not reinventing the wheel here. I'm not Chuck Berry or Bill Monroe. Guys like that are from outer space.
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I'm only worried about what I'm doing or how I present music. I just try to do things I want to listen to, and I think that's what everybody else is try doing, too.
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I just try to make the best music that I can. People are going to label it whatever they're going to label it.
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I always like to write the songs, and they get turned loose into the world, and who knows what happens to them. That's the joy of being a songwriter. You get to hear what other people do, interpretation-wise.
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I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.
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It's such a strange marriage, a song and someone that sings it. When that works, it really works, and when it doesn't, it doesn't.
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I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
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I don't think country music needs saving from anything.
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I like the old days when, if I wrote a song and I recorded it, it didn't mean somebody else couldn't record it.
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Country music is one of those places where we support each other and prop each other up.
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As long as people are buying music, it's good for everybody.
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I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.
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Anyone who says it's so easy to write a country hit and that it's just a formula - well, try it sometime. If it was that easy, everybody would be doing it.
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When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.