Richard Marx Quotes
In the past, there has always been so much pressure about carrying a show and promoting a record.
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I use my platform as a tool and a way to speak about greater change.
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My works are an imitation of my own past and present.
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I wish I had the billions of dollars that George Soros has that he has used to fund Democratic causes in the past.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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I'm nearly 50. I'm past being photographed falling out of bars.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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In the past, on Earth, it has largely been to exploit foreign resources and to expand the domestic territory.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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What matters is to live in the present, live now, for every moment is now. It is your thoughts and acts of the moment that create your future. The outline of your future path already exists, for you created its pattern by your past.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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I have been immeasurably honored to serve the people of Maine for nearly 40 years in public office and for the past 17 years in the United States Senate. It was incredibly difficult to decide that I would not seek a fourth term in the Senate.
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The man of the future may, and even must, do things impossible in the past and acquire new motor variations not given by heredity.
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There are things I've done in the past I'm not proud of - and I could talk about them if I wanted to - but I don't reveal my secrets... I prefer certain things to remain personal; there have to be boundaries. And I don't think you need a scandal to have an interesting story.
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I still believe many poets begin in fear and hope: fear that the poetic past will turn out to be a monologue rather than a conversation. And hope that their voice can be heard as that past turns into a future.
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This ability to incorporate the past gives the sharpest diagnostic tool, if one asks whether a body of knowledge is a science or not. Do present practitioners have to go back to an original work of the past? Or has it been incorporated? ... Science is cumulative, and embodies its past.
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When you work on an album for three and a half years, you're kind of ready for it to get out there. To have your songs reach people.
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My mother was a failed actress, but that was our bread and butter - what we loved most to do was to go to the theater and talk about it and dissect it and understand it.
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In my head, I believed even though I am an actor, there was no need to dance. That's not me.
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In the past, there has always been so much pressure about carrying a show and promoting a record.
