James Brown Quotes
Quotes to Explore
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I'm not coming back to play.
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I don't want to put my fate in country music fans; I'm too stubborn.
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I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.
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When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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My specialty is two things: music or really strange stories.
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I have a phone obsession. It's really hard on set sometimes because I'll be checking Instagram, and then I have to remember, 'Oh, crap, I have to shoot a scene or rehearse.' Every now and then, I have to turn it off and live my life.
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Music history has flowed under the bridges for many years.
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For believers, both privilege and privation are a trial, and both demand responses: one demands service, and the other demands patience. The greatest privilege is to live well in flourishing lands; the greatest privation is to live in the midst of war, especially civil war.
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Young kids should be doing music that has shock value. They'll grow out of it.
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And once the music is out there, when you're selling a record and selling music and people are going to do whatever they want with it, it's kind of hard to resist certain opportunities, especially in the record market now.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I think we raised about 20,000 pounds. There was a live performance thing so we thought we'd donate the equipment for an online charity in Britain. I hated to part with my guitar, but it was for such a great cause.
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My father has been a voice of encouragement in times of desperation for so many people. But he died when I was so young that, for me, his music has been a way for me to get to know him better.
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But anyone who knows anything about the music industry knows it's not only about the music.
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Japan has really great fans for all kinds of music. I think they're keeping metal alive.
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I spent a couple of years not doing any music or anything, just here in Hawaii trying to get healthy and adjust to the new regimen I was setting up for myself.
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I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.
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I have a ridiculous fear of sharks but I'd jump in the water in a second for an amazing role.
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There have been times I've planted stuff in songs where four years later I'll be singing it from a subconscious, kind of chameleon little lizard mind... and at a certain moment, all of a sudden, I'll hear a line from a different vantage point and it'll change its meaning. It's something I wrote but it changed because I did.
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'Argo' was a great script from day one. I don't think we knew that it was going to be such a success.
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Music has to breathe and sweat. You have to play it live.
