Dave Mustaine Quotes
Besides, the bass isn't a difficult instrument to play. It's like one step up from the kazoo, isn't it?
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Study first, play afterwards.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I've always refused to play terrorists.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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I love to play golf and watch movies in Tamil and Telugu whenever I get time.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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Everybody has a role or part to play; if somebody fits the bill, that is what matters.
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I never set out to do this; I never set out to say, 'Can I break this record?' Then all of a sudden, the preparations made for the celebration put pressure on me. I said, 'Okay, I have to get there.' After 2,130, there was sort of a realization it was a foregone conclusion you're going to play tomorrow.
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Don't use your brain to play it, let your feelings guide your fingers.
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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Most visions of extraterrestrial life are actually steeped in human hubris. The fictional extraterrestrials of 'Star Trek' or a hundred other space operas are less alien than many of my neighbors. And funny, the ones running the place are mostly WASPish men.
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My position as the best-selling author at E! is secure - unless Salman Rushdie develops a show with them.
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Besides, the bass isn't a difficult instrument to play. It's like one step up from the kazoo, isn't it?
