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When something isn't done, you want to do something about it.
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When there's a terrible illness like AIDS sweeping through, you help people.
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The first big lead that I had on Broadway was in a show called La Strada.
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Working on behalf of companion animals is so important. We start to realize how healing they are.
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I think my manager of 30-some odd years now, Tom Hammond. He's as fine a person as you could ever meet. And he's had great theatrical taste and has influenced me that way.
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George M. is where I met my dear friend Joel Grey. We connected at rehearsal one day during a five-minute break. We were both looking out the same window and we knew in five minutes that we'd made a connection.
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I love 'Some Enchanted Evening', and 'If I Loved You'. And as I sing them more and more, I find new favorites.
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Animals speak with pure affection. It's important to me to get something going in NY so we can get to be a no-kill city, and give the animals homes and more attention and love.
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I've been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I'm not dead!
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Getting plenty of sleep is always great. It really is. I have a girlfriend who's sending me a slant board.
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The challenge of film is making it right there at that moment, and then you get to move on.
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When I grew up in the '60s, your hair had to be straight and you had to be skinny and have no boobs, and it was like not my era.
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It was like being high when you reach those high notes.
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You've got to be original, because if you're like someone else, what do they need you for?
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I feel strongly for gay marriage to be accepted.
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Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
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The first Broadway show I ever heard was the recording of Carousel, and it was a very vivid experience.
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In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!
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You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
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No One Is Alone by Stephen Sondheim is all about thinking for yourself and being your own person.
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Sondheim writes the music and lyrics, and because he's so smart and goes so deep with his feelings, there's a lot to explore, get involved with and learn about.
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Young people have so many emotions growing up. If you don't feel accepted, you start sneaking around and engaging in dangerous practices.
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I lost a very dear friend who lived with AIDS for about 17 years. Rejecting early treatments that were iffy, he thought he saved himself. I really miss him a lot.
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I don't smoke, I don't drink much, I don't eat red meat. I stay out of the sun.