Kevin Costner Quotes
Quotes to Explore
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God, that all-powerful Creator of nature and architect of the world, has impressed man with no character so proper to distinguish him from other animals, as by the faculty of speech.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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I was the guy literally in the chess club who decided to wear a bow tie for the last two years of high school, so I obviously wasn't trying to get the ladies.
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Life is so fast these days, and we're exposed to so much information. Television makes us a witness to such misery.
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It's such an overused phrase: 'to be part of the conversation.' But it's true. It is nice to be part of the conversation - just be sure they are talking about you in the right way.
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By now, you've probably caught on to something: my mother is always standing by with just the right Scripture or inspirational saying to get me through any tough situation.
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My awkward stage extended well into high school.
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I'm a guy who loves my family, and we're probably only going to have a couple of more babies. I have the rest of my life to play the British Open.
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The great thing about writing compared to life is getting to tie things up.
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There would be nights when I would wake up and couldn't get back to sleep. So I would go downstairs and write. The staff had a pool going on how many pages of typing I would bring in here in the morning.
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I don't ever remember not praying. Bedtime prayers, the rosary, praying for friends, relatives, for the sick and for those who had died. It was a natural part of our lives.
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My family is basically Gypsies - for real.
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I don't really watch all that much television, I have to say, because I'm so intimidated by how many channels there are. I really cannot find my way back to anything. But I'm compulsively addicted to '24.' I love that show.
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As an actress you can participate, you can be a co-author, help the director. But I always wanted to be able to make the big decisions.
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By mid-morning, I take a break from my novel and work on my Sunday Style column, which is about pop culture and what I find on the web. I usually start writing it at the beginning of the week and give it a couple of days to marinate before I return to it.
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I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.
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I'll probably always be 'Timothy Spall's son' and it's something I'm proud of. Maybe one day as well as that, they'll say of Timothy Spall that 'He's Rafe Spall's dad'.
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We do need different types of propulsion to get to Mars. I wrote one of the first Ph.D. theses on that in the 1960s.
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Pop is in a shocking state at the moment.
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A husband is a man who two minutes after his head touches the pillow is snoring like an overloaded omnibus.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism.
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What I think is wonderful is that women are not just avengers or victims in films. They are people. They are characters. It's so refreshing. They're playing different kinds of characters, and they aren't being typecast.
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If it's fifty years from now and it still has the same value, that's a movie.
