Kevin Eubanks Quotes
Quotes to Explore
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There is always pressure in football.
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What our children have to fear is not the cars on the highways of tomorrow but our own pleasure in calculating the most elegant parameters of their deaths.
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I think female solitude is a mental condition as well as a physical state. You can be married and a spinster. I think spinster is an identity every woman can claim, if she will... I feel like a lot of women, or a lot of feminists, joke about taking to the sea or living alone in a cottage as this kind of fun freedom.
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Just as water is a key ingredient to growth on the farm, capital is required for businesses to thrive.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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The first time I heard Adam Feeney and Chester Stone Hansen's 'Vibez,' it was used in Drake's '0-100' as a sample.
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I'd love to make a thriller.
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I want to show people there's not just one way of being Muslim.
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'Sesame Street's' genius lies in finding gentle ways to talk about hard things - death, divorce, danger - in terms that children understand and accept.
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I didn't go to school a lot.
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People come up and say, 'Hey, I know you!' They're middle-aged women and big burly guys. They say, 'Don't tell anyone, but I watch Felicity, and I think it's great.'
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I'd say mostly I paint hot chicks.
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In the beginning, I was so chintzy I really didn't pay my employees well.
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I like to see a man proud of the place in which he lives. I like to see a man live so that his place will be proud of him.
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People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
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I didn't want to do a zoo show. I didn't want to do a study of someone with mental illness. I just wanted to show someone who was trying to live their life.
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With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
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If you really want to annoy me, ask me when I'm going to retire from rock n' roll.
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True horror, I think, deals with dread and menace and gets under your skin.
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You know, we were worried that in the UK, there's no anarchy on kids TV. When we grew up kids TV was very anarchic and it was about stuff that your parents would probably object to, if they got to object. And it's gotten very safe.
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It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.
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If you apologize to me, I look at it as an insult because my parents, my grandparents, my great-grandparents, like every other culture out there, did exactly what they needed to do. They worked hard, and they became part of the American way, and they earned the respect of Americans across the board. We need to do the same.
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I love both my parents dearly.
