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People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
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I studied psychology for a couple of years as a personal hobby, so you start learning about people and listening to your intuition, like when you you're feeling that people are not being entirely straight with you.
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If you never lie to yourself, you'll always be happy with yourself, and eventually the person you wake up with and the person you go to sleep with is yourself.
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The only person you need to be credible to is yourself. When you stand in front of the mirror and nobody is watching, are you happy with yourself?
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My debut album, 'Forget the World,' is all about not listening to the negativity around you and to continue to do what you love, no matter what people think. I love what I do. Dance music is my passion, my life. There is no greater feeling than being one with my fans, partying to the music we love.
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I actually did a remix for Katy Perry, and her management didn't respond.
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I'm a DJ who makes dance music who got to play with Sting.
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For me, it's a great thing to tell people anything is possible. When I was 15, people told me 'You're not going to be a DJ.'
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Maybe one day there will finally be an education for electronic music.
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People need realness, reality. People can sense when someone is being pretentious or fake. It's because you feel it; you see it in someone's body language.
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You're going to be way happier doing what you actually love and finding other people that love the same thing than doing something that other people love so you're just cooler and you have cool friends.
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When you're walking down the street or in the car just listening to the radio, and you're, like, 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
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I even have shoes that don't fit. They're just so cool, I wanted to have them.
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When I was a baby, my mom used to have a dance school, and she used to teach classes there. We didn't have money for a babysitter, so she always brought me with her to the dancing school. Back then, I was already watching and listening to Michael Jackson for a long time.
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Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
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I have a good connection with people from America that come to my shows. It's more the American culture. I like the culture, so I want to spend more time there and make more friends and have some fun.
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There's nothing better than making music and hearing 3,000 people chant, 'Afrojack! Afrojack!'
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I want to make an album my grandma and my fans are going to like. I want to make my grandma understand a drop and make club fans understand a song.
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Most music that comes out of Holland is basically the harder part of dance music - hip-hop, drum'n'bass.
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When I started producing, I was just making music under all different names. 'Black Afro.' 'Super Grandmaster.' 'Mister Bull.' Like, the most stupid, idiotic names. 'Afrojack' was one of those idiotic names.
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At a festival, a lot of people came to see other artists, so you have to put on a signature set and performance: 'This is what I do, this is why I'm here.' At solo gigs, I'm a DJ - I'll play two-and-a-half hours, and not just my own music, also my favorite songs by other artists.
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I think 2014 for me is going to give me the possibility to do even bigger things than anyone has done. I want to change the party scene - like, stop just being a DJ with lights, a big LED screen, and oh-look-at-me speakers. There's way more to a party, and I think everyone knows it. I want to make it special.
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I have been fully involved in designing my stage shows; it's important to me to do something really unique and almost off-the-wall to bring the music and the visuals together. I love design and actually went to school for a bit for graphic design, so it isn't so much 'pressure' for me; it's a way to be creative, and I really enjoy it.
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If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'