Kevin Young Quotes
Quotes to Explore
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You are rich if and only if money you refuse tastes better than money you accept.
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Nearly everything you do is of no importance, but it is important that you do it.
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I might not be the greatest actor, but I walk into every project willing to work hard.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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I think it just came to a point where I made a decision to do better with my life and health. And that is only by God's grace because there are no guarantees.
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The only way not to think about money is to have a great deal of it.
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The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
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By the time I left school, I had a lot of tenacity.
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The Spirit of the Holy Ghost is the teacher in the temple. He teaches principles of eternal significance. It is during these instructions that we see the relationship between the earthly and the eternal. We must remember that the Spirit teaches only those who are teachable.
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According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.
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Kids will ask us 'How do you become famous?' It's the wrong question. Focus on the craft, not on the fame.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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Equality for women is progress for all.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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Playing in Wembley Stadium in front of 83-some-thousand fans to win a gold medal was unreal.
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My family is more a sports family, and I figure skated for a very long time, so movement and how I relate to movement is very integral to my process.
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When you start to see another human being as less than you, it's a danger.
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Even though my shoes are different from Ferragamo's aesthetic, which is more classic, I learned the importance of fit and quality. We were making shoes like they used to, by hand, and I carried that with me.
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In my novels, there are twelve ancient 'memory tools,' all now lost. Each of the 'Reincarnationist' books revolves around a different tool.
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Just as the witticism brings two very different real objects under one concept, the pun brings two different concepts, by the assistance of accident, under one word.
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It is an agreeable and yet a painful sense of novelty to stand for the first time in the midst of a people whose language and manners are different from one's own.
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When I was 11 I became a massive fan of The Monkees. We had a so-called 'band' of kids on my street and we'd go along to people's houses and mime to Monkees records.
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Words are the only bullets in truth’s bandolier. And poets are the snipers.
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I remember in the '80s, people would literally have arguments over the best guitarist.
