Kevin Young Quotes
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The mid-eighteen-thirties marked the rise of eugenics and racialism, with phrenology emerging as just one of the many pseudosciences that sought to enact, reinforce, and restrict racial difference.
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For 'The Grey Album,' I'd been thinking about the good side of lying - lying as a kind of improvisatory act in black culture. Afterward, it nagged at me because there are those other kinds of lies that I think are all around us, and I was fascinated about hoaxes in general. So 'Bunk' became a natural extension of 'The Grey Album.'
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I think I go with the Duke Ellington view on music. He said, 'There's two kinds of music - there's good music, and then there's the other kind.'
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We had moved cross-country from upstate New York to Kansas in the heat wave of 1980, with two cars, no air-conditioning, and a black dog. I can still see the infernal temperature of a hundred and nineteen degrees on a bank sign somewhere near Ohio.
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Here are the facts: my folks grew up so poor that, in the words of Redd Foxx, there were twenty o's between the p and r.
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Rereading 'To Kill a Mockingbird,' I was struck by what I had forgotten of the book: in a manner of pages, we encounter shame, history, ruin, conflicting stories, and wounds badly healed; in short, the South.
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Hip-hop at its zenith insists on thinking and dancing simultaneously. In fact, it sees them as synonymous.
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I think music is poetry in the sense that I think the condition of poetry I'm going for has some qualities of music that it aspires to.
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It's hard to describe one's own alchemy that makes one into a writer, but I definitely think American language is so interesting, and specifically Southern language and black Southern language; it's hard to separate Southern language from black language.
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I rather think that archives exist to keep things safe - but not secret.
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We've learned quickly that the Web is far more pseudonymous than anonymous: online, our names have simply been changed to a number, an I.P. address, protocol, and code.
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There is, of course, no larger mass hysteria in American history than the epidemic of racism.
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Even Toni Morrison claiming Bill Clinton as 'black' could not prepare us for the election of America's first undeniably black president, Barack Obama.
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Music and the blues, they have taught me a lot. I think in this book, 'Book Of Hours,' there is this blues sensibility. There are moments of humor even in the sorrow, and I'm really interested in the way that the blues have that tragic-comic view of life - what Langston Hughes called 'laughing to keep from crying.'
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Writers need their totems, their altars. Mine, I feel, share the same randomness and utility of those belonging to painters I know, who are relentlessly visual and even poetic.
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I write about what hoaxers do, but I also want us to think about what believers do. Why do we want to believe a story like James Frey's 'A Million Little Pieces?' Why did we want to believe that Lance Armstrong really did all these things that, looking back, seemed impossible?
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What a poem can do is provide you this intimate eye that, for the length of a poem and hopefully a little bit after, can provide testimony or a point of view.
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Not many poets have editors.
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I didn't know any poets growing up in Kansas.
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Poets often are dealing with history and are thinking about the way history moves across us, and we move in it.
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I think the hardest thing, really, is trying not to write.
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One of the most troubling things about the term 'fake news' is that it has become a force field against accusations you don't like.
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I feel music is another kind of literature.
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A DJ draws a connection between two seemingly disparate things and says, 'Look, they are alike. You can dance to them.'