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No matter how big you are, when you go back home, your family treats you like a normal person.
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Honeymoons are great, but they don't last. And I think the same is true with success on the screen - today, I am all over the place; tomorrow, I may be gone - I may have to make room for someone else. So why make a big song and dance about it all?
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I am in movies basically for the money, and frankly, I have a hard time believing those who say they act for the love of acting!
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I don't want to put up this act of being a voracious reader, which I am not.
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Acting is a learning process. And what you are doing in your early films is essentially picking up the nuances, the tricks of your trade. And somewhere along the line, you become analytical and learn to enjoy what you are doing.
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I love doing stunts, though I have to be careful with my back. As for dances, somehow I am uncomfortable doing them. I lack grace.
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I need a producer who will look for a good script. I need a director whose purpose to make a film is not for his survival but because he loves making films.
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Cinema is a great binding force for a nation.
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I like to work with people who want to make films because they are passionate about films and not because they want to sell films and make money. I am not for people who get the most saleable actor and then the most saleable director and sell the film.
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I think I have stopped being nervous about the outcome of a film. The five consecutive flops in 1997 and the five consecutive hits in 1999 have mellowed me in many ways.
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'Villain' succeeded because we were genuinely working towards a good film. We worked hard and with a lot of conviction.
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I have been offered obscene amounts to do commercials and stage shows abroad, but as a matter of principle, I am against them.
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I wanted to be a professional motor racer. It was only due to lack of sponsors that I could not do it.