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I work 'cause I have to pay the bills. But I also work 'cause I love it. I don't know what I'd do with me if I didn't have this work. It's what I've done all my life. It's my motivation. It's my satisfaction. It's my joy to stand in front of an audience to sing, to come back home and write songs. Man, it's amazing for me.
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I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
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I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
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I'm a Buckeye at heart. I spend more time giving concerts in Ohio than I do in any other state - perhaps more time than I spend performing anywhere else in the world. I have a great relationship with the people of Ohio, and it's great to be near the OSU when I come to Columbus.
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I'm an R&B and pop singer as well as a jazzer.
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I'm this strange kind of fusion of jazz, pop, and R&B.
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You pray for things and accept the blessings when they come, you know? And it is about how you talk to yourself and what you say morning, noon and night about what you want to happen in your life. Some folks call that creative visualization. Other people call it prayer. But it is about that message that you send out there to yourself.
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I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
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I've got an odometer on my voice that has out-odometered an odometer on an automobile.
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I have serious hearing loss. I'm challenged if I don't have my hearing aids in.
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You know, I think in some kinds of ways, we are all born into stuff that gives us no choice.
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It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
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Learn it well in your head, know it well, pick things you know and bring the old you and all the experience you have from singing these various kinds of feelings that are still related to what I have done in the rest of my career.
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I really do see it as the start of the second half of my career.
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I don't know how much more what I've done is any more important than what Ella Fitzgerald did. Ella crossed those lines, as did George Benson before me. There've been lots of people who brought a pop audience to jazz because they were able to link the two and give people easy access to the world of jazz.
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More live recording. I have missed the boat over my career by not doing every second or third CD live because things happen onstage that don't happen in the studio.
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I am inspired by all kinds of players and singers.
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I say what's on my mind and have a good time. I try to give people a show. It's all about giving people a good time once you get out under those lights.
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I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.
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I love connecting with the audience, and there's more ways than one to do that.