Cristina Saralegui Quotes
I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
Quotes to Explore
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If there's an opportunity for me to compete at something, I'm there.
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One of the prices that we pay for integration was the disintegration of the black community.
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In my opinion - in Georgia, there's a town called Lula. And Lula, Georgia, has the best peaches.
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Europe believes that providing clear labelling for genetically modified food is a consumer right, but such practice is absolutely opposed by the vast majority of states in the U.S.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
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People are always angry at America. They're absolutely certain that America either caused their problems or is deliberately not fixing their problems. But the anger is always directed at America and never at Americans.
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Unless a Western's made money - doesn't matter who made the money, doesn't matter what the subject is - if the last one didn't make any money, you can't make another one for a four-year period. Westerns more than any genre.
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There is nothing more boring than doing singing exercises.
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The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
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I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
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Do not quit! Hundreds of times I have watched people throw in the towel at the one-yard line while someone else comes along and makes a fortune by just going that extra yard.
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I spend a lot of time balancing between faith and disbelief.
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My main concern is meeting with public because my main commitment, main interest is promotion of human value, human affection, compassion and religious harmony.
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If you saw pictures of me as a kid, you'd laugh because I was always in football kit.
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I've forgotten what it's like to remember. I've lost the mindless confidence that a moment, an idea, a thought will be there for me later, the bravado of breezing through experience in the certainty that it will become part of my self, part of my story.
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History teaches us that men and nations behave wisely once they have exhausted all other alternatives.
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If you use tact you can say anything, then make it funny.
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The Bible God I deny; the Christian God I disbelieve in; but I am not rash enough to say there is no God as long as you tell me you are unprepared to define God to me.
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When the Americans were trying to conquer the Navajos, they felt this need to capture Canyon de Chelly like it was the Navajo capital. It was a meeting place and a sanctuary of last refuge. To control Canyon de Chelly was to control the Navajo people.
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The whole thing of being in music is not to control it but to be swept away by it. If you're swept away by it you can't wait to do it again and the same magical moments always come.
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In Mississippi, you don't admit that you're gay. It's just an awkward thing down South, which is sad.
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The difference between the best worker on computer hardware and the average may be 2 to 1, if you're lucky. With automobiles, maybe 2 to 1. But in software, it's at least 25 to 1. The difference between the average programmer and a great one is at least that. The secret of my success is that we have gone to exceptional lengths to hire the best people in the world. And when you're in a field where the dynamic range is 25 to 1, boy, does it pay off.
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I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
