Cristina Saralegui Quotes
I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
Quotes to Explore
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If there's an opportunity for me to compete at something, I'm there.
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One of the prices that we pay for integration was the disintegration of the black community.
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In my opinion - in Georgia, there's a town called Lula. And Lula, Georgia, has the best peaches.
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Europe believes that providing clear labelling for genetically modified food is a consumer right, but such practice is absolutely opposed by the vast majority of states in the U.S.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work.
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I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
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People are always angry at America. They're absolutely certain that America either caused their problems or is deliberately not fixing their problems. But the anger is always directed at America and never at Americans.
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Unless a Western's made money - doesn't matter who made the money, doesn't matter what the subject is - if the last one didn't make any money, you can't make another one for a four-year period. Westerns more than any genre.
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There is nothing more boring than doing singing exercises.
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The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
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I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
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Do not quit! Hundreds of times I have watched people throw in the towel at the one-yard line while someone else comes along and makes a fortune by just going that extra yard.
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I spend a lot of time balancing between faith and disbelief.
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My main concern is meeting with public because my main commitment, main interest is promotion of human value, human affection, compassion and religious harmony.
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If you saw pictures of me as a kid, you'd laugh because I was always in football kit.
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I've forgotten what it's like to remember. I've lost the mindless confidence that a moment, an idea, a thought will be there for me later, the bravado of breezing through experience in the certainty that it will become part of my self, part of my story.
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History teaches us that men and nations behave wisely once they have exhausted all other alternatives.
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Any hand that I've shaken, any person that I met when I was Joe Blow, now that I'm this guy Kevin Hart, has come back. That's why I treat everybody with respect. I'm always a nice pleasant guy to meet because when they come back to you, they remember.
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We could cope—the world could cope—with a Jesus who ultimately remains a wonderful idea inside his disciples' minds and hearts. The world cannot cope with a Jesus who comes out of the tomb, who inaugurates God's new creation right in the middle of the old one.
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In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.
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Our young people are out on the streets looking for parties, a place to dance, looking for a scene. No institutions are providing them with alternatives, fun things to do that don't necessarily have alcohol at the center.
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I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
