Cornelia Funke Quotes
I always thought it hadn't influenced me very much, but I heard from many people from England that many motives from German fairytales are to be found in my books.
Quotes to Explore
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I had no expectations of white people at all.
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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If men can quilt and take over the kitchen, then women can pick up a wrench and fix a leaky pipe.
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I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
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By the end of high school, I would do shows at the theater at night and then take the train home and go to school the next morning.
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I get breakfast when everyone else is on their lunch break. I usually go to Dimes, which is a short walk from my apartment. Usually, I'll have chia pudding or an acai bowl and toast and sausage.
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My friends in the TV news business are in a state of despair about Donald Trump, even as their bosses in the boardroom are giddy over what he's doing for their once sagging ratings.
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You can't create a monster, then whine when it stomps on a few buildings.
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In all my movies, be it 'Page 3', 'Chandni Bar' or 'Corporate,' I have tried to depict honesty and reality.
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But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.
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As a musician usually music is your way out.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
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Natural gas is better distributed than any other fuel in the United States. It's down every street and up every alley. There's a pipeline.
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Ordinary riches can be stolen; real riches cannot. In your soul are infinitely precious things that cannot be taken from you.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing.
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Losing is no fun no matter who you lose to.
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When I'm not working, I don't mix with actors, really. I have about two or three friends from theater school, and we call each other and meet. But in the main, no. I'm more happy with musicians or horse riders or sailors.
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I make the most outrageous demands on my imagination and leave aside everything else, theory and nature study, as other people understand them. This is the only way I can work, drawing on nothing but my own faculty of imagination with I feed without stint – except in working hours.
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I was an only child until I was 11 years old, which is when my sister was born. So for 11 years, it was just me.
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Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.
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I always thought it hadn't influenced me very much, but I heard from many people from England that many motives from German fairytales are to be found in my books.
