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I started with superhero stuff - 'X-Men' and 'Spider-Man' and 'Batman' and 'Hellboy' - but I wasn't familiar with 'The Strain' until I started the show.
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It's a challenge to turn a book series into a television series; you need to keep people on their toes, but you also want to be true to the source material.
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My wife was pregnant while we were promoting 'Ant-Man,' and that was very exciting, to see, like, action figures of myself, as we're getting the nursery ready.
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I think, sometimes, actors having a holistic view of what they're in can be overrated. Especially when you're playing somebody as narcissistic and self-involved as Ernest Hemingway, it doesn't really matter what else is in the script.
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The very act of saying anything more nuanced than 'us good, them bad' is under attack, and I'm proud to stand with artists who do.
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It's not necessarily the most compelling thing for a liberal like myself to be making an impassioned plea for the divine rights of kings and for observing the hierarchy of order, of class and authority.
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If I could grill for breakfast, I would.
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I grew up really into comic books, and I actually thought I was going to be a comic-book artist. That was my ambition before I realized I couldn't keep characters looking the same from panel to panel.
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What was so brilliant about 'Girls' was that they allowed their characters to be ludicrous and selfish and faulted but didn't shy away from a deeper psychological foundation for that neuroses.
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In some ways, it's easier to be the lead. Week after week, scene after scene, the rhythms of filming force you to peel away a certain amount of artifice. When you're on set that much, there's a license to let the character emerge from the work itself.
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After college, I was an intern at the New York Theater Workshop. In the mornings, I would build sets and hang lights, and in the afternoon, I would be the reader for auditions.