Conor Oberst Quotes
Quotes to Explore
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When I was on 'Trauma,' the first order was six, which turned to 12, and then there were rumors of getting cancelled. I'm used to that.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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Notice the difference between what happens when a man says to himself, I have failed three times, and what happens when he says, I am a failure.
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The problem is not simply that the Singularity represents the passing of humankind from center stage, but that it contradicts our most deeply held notions of being.
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Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.
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Life started getting good when I started making money.
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Where evil habits are once settled, they are more easily broken than mended.
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I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
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Going to a concert is so overwhelming and the energy is amazing.
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You want your partner to objectify you.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
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Never lose an opportunity of seeing anything beautiful, for beauty is God's handwriting.
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When I get drafty cold air in my ears, I would get an earache and get sick. I had to make sure I hustled and stayed well for my shows that I played.
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In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me.
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There's no denying it: I was a crappy baby who failed his way into this world, and I've been making the best of it ever since.
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What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?
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I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion.
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Lara Croft is completely different; the way she does the action scenes and maintains her body in perfect condition... I can't compete with her in any way.
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I have to credit high school for allowing us to mess around with movie stuff at a time when it was a novelty. Experimenting with that and having a very good group of friends to work with made it a very easy decision that this seemed like something I wanted to do with the rest of my life.
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What attracted me to acting, from the start, was playing different characters. I'm not a massive fan of just playing myself on screen.
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If you are to rule men, you must rule them through their own ideas.
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One healthy thing I'd like for players to know, whether they're active or former, is you likely can't replicate the thrill of playing before 100,000 people and big hits and making that much money. We can get ourselves into trouble trying to.
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One by one I drowned all the people I’d been.
