Brendon Urie Quotes
It never came into question, taking the name away or changing it. Panic! has always symbolised some form of excitement that I couldn't get elsewhere.
Quotes to Explore
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I appreciate cooperation with Turkey on many issues. We are grateful for the support we receive for E.U. and NATO integration for Montenegro.
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One of the biggest lessons I've learned during my time on 'Oprah' is that everyone wants to be heard. We all want to have our humanity acknowledged - to have others see us for who we truly are. We all want to know that we are valued, we are heard, we are understood.
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I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.
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Most important was to remain focused and always have presence of mind.
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The success of each of us benefits us all, and the success of us all benefits each of us individually.
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Upon the subject of education, not presuming to dictate any plan or system respecting it, I can only say that I view it as the most important subject which we, as a people, can be engaged in.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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I have the necessary lack of tact.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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The other aspect of American identity worth focusing on is the concept of America as a nation of immigrants. That certainly is a partial truth. But it is often assumed to be the total truth.
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Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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I started my career with 'Refugee' in Bhuj. Now, it has become a full-fledged city.
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When I announced the development of Perl 6, I said it was going to be a community design. I designed Perl, myself. It's limited by my own brain power. So I wanted Perl 6 to be a community design.
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Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.
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I'm trying to work, be diverse and multi-talented.
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I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway, and I would disapprove of it.
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But probably my favorite music, believe it or not, is sad music.
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Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer.
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In twenty years, the Lottery has raised over $1.4 billion. It has been run successfully and efficiently.
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That's the fun part about being a director. You get to say, 'Oh, now that I'm in charge, I can try and cast whoever I want.' They can always say no, but that's okay.
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It never came into question, taking the name away or changing it. Panic! has always symbolised some form of excitement that I couldn't get elsewhere.
