Brendon Urie Quotes
It never came into question, taking the name away or changing it. Panic! has always symbolised some form of excitement that I couldn't get elsewhere.
Quotes to Explore
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I appreciate cooperation with Turkey on many issues. We are grateful for the support we receive for E.U. and NATO integration for Montenegro.
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One of the biggest lessons I've learned during my time on 'Oprah' is that everyone wants to be heard. We all want to have our humanity acknowledged - to have others see us for who we truly are. We all want to know that we are valued, we are heard, we are understood.
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Most important was to remain focused and always have presence of mind.
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The success of each of us benefits us all, and the success of us all benefits each of us individually.
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Upon the subject of education, not presuming to dictate any plan or system respecting it, I can only say that I view it as the most important subject which we, as a people, can be engaged in.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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I have the necessary lack of tact.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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The other aspect of American identity worth focusing on is the concept of America as a nation of immigrants. That certainly is a partial truth. But it is often assumed to be the total truth.
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Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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I started my career with 'Refugee' in Bhuj. Now, it has become a full-fledged city.
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When I announced the development of Perl 6, I said it was going to be a community design. I designed Perl, myself. It's limited by my own brain power. So I wanted Perl 6 to be a community design.
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Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.
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I'm trying to work, be diverse and multi-talented.
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Books teach children to see the world through the eyes of others and empathise with others. It's about the story.
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In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.
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Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.
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I had a wonderful mother who wanted my sister and me to have everything, even though money was a very prominent thing we didn't have. But we had a very happy childhood - pretty much ideal, in fact.
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Fair treatment of human beings and animals in many different realms strikes a chord with me.
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I find that when you open the door toward openness and transparency, a lot of people will follow you through.
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It never came into question, taking the name away or changing it. Panic! has always symbolised some form of excitement that I couldn't get elsewhere.
