Dolly Parton Quotes
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
Quotes to Explore
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One does a whole painting for one peach and people think just the opposite - that particular peach is but a detail.
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I love women more than anything.
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I faced many ups and downs, like any other actor: not getting through auditions or even worse - getting shortlisted and not being selected. Most actors go through the process.
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I hated school so bad. I only liked art class during high school. I was always smart.
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It felt scary because there was no auditioning, no rehearsing.
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A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
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You get used to the rejection and you don't take it personally.
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I do have a fantasy piece of technology that would do my food shopping for me, and if you wanted to, you could probably employ a butler or a maid. But I'd like to have a fridge that restocks itself. I don't know what you'd call that - an automatic restocking pantry?
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I have gotten a number of invitations to be on television shows as 'the dad,' but that was Kryptonite to me. I was like, 'This would be the death of me. I'll be a cesspool of niceness.' It doesn't feed me.
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A lot of the time writers are just sponges... for what's around them, and so books are helpful for focusing your mind and literally putting it into words.
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I demo all of my songs on Garage Band, where I pretty much play everything - not very well, but I manage to hammer out a drum beat and a bass idea.
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I see myself as a mascot for the kids who get beat down and don't feel like they belong.
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I don't like dreams or reality. I like when dreams become reality because that is my life.
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I am an unusual Irishman. I'm probably Ireland's third most famous Jewish son.
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You can't live in Orange County and train in Thousand Oaks. OK? you just can't. Not with the hours we put in. We have to be on time.
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I'm a big softie.
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The only shows I saw as a kid were that holy trinity: 'Les Miz,' 'Cats,' 'Phantom.'
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On grass, many players can be dangerous because one break can decide a whole set.
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Even now, I have to smile when I think of this. I tell you, of all the things about Werner Vetter that appealed to me, this most of all warmed my heart: He had no respect for the truth in Nazi Germany.
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How do you open up? I didn't know how to.
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A family is too frail a vessel to contain the risks of all the warring impulses expressed when such a group meets on common ground.
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I'm a huge advocate for human rights and cultural rights. I stand up for minorities and will always continue to do so.
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But I'm a fairly mechanical worker - I tend not to think about themes so much as plot. I want to get the feeling right. If it's moving through tunnels, I ask myself, what is it like to move through tunnels?
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In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
