Odilon Redon Quotes
The Artist submits from day to day to the fatal rhythm of the impulses of the universal world which encloses him, continual centre of sensations, always pliant, hypnotized by the marvels of nature which he loves, he scrutinizes. His eyes, like his soul, are in perpetual communion with the most fortuitous of phenomena.
Quotes to Explore
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Here he tells us that the new birth is first of all 'not of blood'. You don't get it through the blood stream, through heredity. Your parents can give you much, but they cannot give you this.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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All institutions have lapses, even great ones, especially by individual rogue employees - famously in recent years at 'The Washington Post,' 'The New York Times,' and the three original TV networks.
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French 'Vogue' was always a photographer's magazine.
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Don't manage - lead change before you have to.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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You've got to really be able to accept the rejection.
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Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
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What really makes it fun for an actor is when the script is good.
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I don't know how to make Harper and Alloy want me, not just my name.
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I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
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Hopefully in the future, generational challenges will be measured by achievement, not gender.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
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Someone's career that I admire would have to be Justin Timberlake's because he started off on Disney and he made this huge film career and huge solo music career. I really respect him as an artist.
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I have a different relationship with Chucky because he's been on top of my bookshelf in the corner of my living room for my entire life. He was a great tool for scaring friends, and when I see him in different theme parks I've been to, or in commercials, my heart swells a little bit, and I'm like, 'Aww! It's my Chucky!'
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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Work is the meat of life, pleasure the dessert.
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I was raised with the notion that it was OK to ask questions, and it was OK to say, I'm not sure. I believe, but I'm not quite so certain about the resurrection.
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I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
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One thing that I don't think I do is play characters. Once you start claiming that you can do something that you're not, you're crazy. I think scripts can really surprise you. You go, "Wow, I did not know that that response could come from me. I did not know that I had that in me." And so, the process of making the movie is just finding that and digging a little deeper.
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People respond in accordance to how you relate to them. If you approach them on the basis of violence, that's how they'll react. But if you say, 'We want peace, we want stability,' we can then do a lot of things that will contribute towards the progress of our society.
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The Artist submits from day to day to the fatal rhythm of the impulses of the universal world which encloses him, continual centre of sensations, always pliant, hypnotized by the marvels of nature which he loves, he scrutinizes. His eyes, like his soul, are in perpetual communion with the most fortuitous of phenomena.
