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I'm up for doing a part if I thought the part was right and the people want to consider me for a part. If I thought the part was absolutely exciting... I would go for it.
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I've always been told I sound black.
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People ask me how I sang the role of the 'Phantom' 1,700 times. And I say that it's down to good material. If it did not have good material, I would have had a major problem doing it for that length of time.
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There's nothing like being in front of a live audience and getting that vibe from them, and I love people to join in the singing, and I love people to clap their hands.
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I don't keep a lot of memorabilia around.
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I grew up in a very musical family, but music was not encouraged as a career. It was a hobby.
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'Bloodless' reminded me a bit of 'Les Miserables' when it first came out.
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Once you sign on the dotted line, in terms of a contract with a musical, it's a huge commitment. When you're younger, that's fine; you can take it on, and I still go out, and I still sing 15-20 songs - and I can do that - a night.
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I remember, I was doing 'Jesus Christ Superstar' in London in the early '70s, and friends of mine had come over from Dublin, and they're knocking on the stage door after the show saying, 'Colm, come on, let's go for a drink.' I knew that if I went with them, I wouldn't be able to do my job the next day.
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You pray for your enemies.
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Hal Prince and Andrew actually asked me if I would be interested in continuing with 'Phantom', but obviously I was under contract to 'Les Mis' by then.
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You do get a lot of people complaining if you don't do songs they have come to expect. I have to be careful about fulfilling that side of things and keeping it fresh for other people who have come to see the show.
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When you're getting on plans and traveling all over the place, it can be very hard to keep yourself healthy and avoid catching a cold.
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I'm from a small Irish family of 10, so there always was music in the house. Growing up, my older sisters had things like 'South Pacific' and opera on.
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You see some people on stage today, and they have these huge ear monitors.
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You have to learn how to read contracts, how to position yourself, and about marketing. That is why you find the most successful artists are the ones who can mix creativity with business.
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The great saints were always great innovators... They had to be very strong people... principled people. And, apart from their principles, with great tenacity they had to have great reserves of patience.
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Acting means nothing unless it's truth. And honesty.