Colleen Atwood Quotes
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It's great fun that my grandkids get to see the costumes in 'Alice in Wonderland' or a doll with grandma's dress, but then they also let me know they're bummed I didn't do any of the 'Pirates of the Caribbean' movies.
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I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly.
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It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth.
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I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out.
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The costumes had to serve the choreography.
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In real life, a lot of people at that level will have their kimonos made especially for them.
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Some of the kimonos took as long as four to five months to make, with all the layers that go into it.
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As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things.
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Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses.
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People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
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One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
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I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else.
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I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.
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I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life.
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I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most.
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The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all.
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It's true that I'm not cozy. I'm more reserved.
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I love designing costumes that I can actually construct, working to create an environment that people want to be in.
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My own style is pretty classic; I much prefer to design for others.
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Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are.
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I like the architecture of lingerie.
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Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.
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Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work.
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When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.