Dakota Fanning Quotes
I know how to hit a mark without looking. I instinctively know where my eye line should be. That's all 100%. But your character and the story are always different, so the emotional part is not muscle memory. You're still surprised by stuff and get the adrenaline.
Quotes to Explore
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
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I don't give up on commitments until what I've been asked to do is clearly finished.
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Most actors can't make any kind of living.
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What makes me happy is the appreciation of people around me.
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My mother certainly never altered the topics of her conversation based on children being present.
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I'm a big 'Firefly' fan. I'm a Nathan Fillion fan because of 'Firefly.'
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Polls that have been taken by kindergarten, first- and second-grade teachers indicate that 30 percent of the kids have been deprived in some way so that they are physically unable to keep up with the class.
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I achieved what I want to achieve and I want to continue doing something else.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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I'm the Chris Martin of hip-hop.
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I didn't know there was a dying-professor section at the bookstore.
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Women are sacred.
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Hand washing is the first basic step towards achieving any millennium goals for development. It saves lives.
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I've had a few ditty hits.
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The affairs of this world are so shifting and depend on so many accidents, that it is hard to form any judgment concerning the future; nay, we see from experience that the forecasts even of the wise almost always turn out false.
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I didn't grow up in a wealthy family at all. Being at home all day and watching movies, that was a luxury.
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I think people think of Oregon as such a granola, hippie kind of a place.
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I wanted to write a book about poverty that wasn't only about the poor. I was looking for some sort of narrative device, a phenomenon that would allow me to draw in a lot of different players. I was like, 'Shoot, eviction does that.'
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I have a theory of living on the boundary: on the boundary of patriarchy and the boundary of different dimensions.
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There is a double rhythm in all human beings. We are binary beings - two arms, two legs, two eyes, two ears. Two legs for walking. And the heartbeat thumping in our chest mirrors that.
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I know how to hit a mark without looking. I instinctively know where my eye line should be. That's all 100%. But your character and the story are always different, so the emotional part is not muscle memory. You're still surprised by stuff and get the adrenaline.
