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As for the symphonic activities... when I was a student at the Eastman School of Music, I became exposed to a lot more musical forms, elements, opportunities, and I fell in love with strings and their uses.
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Because I don't believe music can be free unless it has something to be free from.
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1972 was a year of many pleasant and rewarding experiences for me:
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Not compromising the music, but there is a way, by just showing the people that you're sincere and honest with what you're doing, and by talking to them.
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To do it always right, that is what music is to me.
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My goal was never to sell many records.
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To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.