Claire Denis Quotes
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Making pizza is a great job. All that kneading the dough - everything to do with cooking is wonderful, sensual.
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I really started watching films when I was 14. As I became a teenager, there was nothing that really interested me apart from music, books and films.
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In Kurosawa's films, the tragedy is that this strong man was crushed by corruption or mistrust at the end.
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I have very strong relationships with my actors when I'm shooting. When you love an actor's work, you always feel you have to go further, and you make several films together. One film just gives you time to get acquainted.
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'White Material' is about courage and craziness.
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When I was a child I had a nightmare, and in the morning, I asked my mother and father, 'If I kill someone, would you still love me?' My parents were very preoccupied with this, but I think I'm not the only one to ask for that - not love, but absolute fidelity.
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Inside the family, you can go from hate to passivity to extreme love within the same hour.
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I've never seen a world where only men were responsible for the violence, and the women were innocent. They go together. Men and women are a violent mixture.
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When making a film, if I feel nothing in my body, I can't work. I have to touch. I have to feel. I never stop touching.
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I've experienced love and ambition and desire in my life, but never in the same way as in a family.
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'Chocolat' was a sort of statement of my own childhood, recognizing I experienced something from the end of the colonial era and the beginning of independence as I was a child that really made me aware of things I never forgot - a sort of childhood that made me different when I was a student in France.
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Growing up outside your own country makes you feel that you don't belong when you return, so you feel free to make friends with whomever you like.
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I'm tiny. I'm small.
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My films are always looked at strangely, and there is nothing I can do about it.
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I have no relationship to the French bourgeoisie. I don't like connecting with them.
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I don't know - music in film, for me, is not another part of a soundtrack; it is something that also helps to approach a character, to foresee the type of image - you see what I mean - it's like a part of the process.
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I long to make films. I'm dying to be inside the next film. I always hope there will be another film.
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I think a film noir demands a beginning and an end.
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Filmmaking creates a sort of - trust, maybe. It has led me to a group of people I feel good with. We have something in common because of film, when otherwise we might have nothing.
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Sometimes bleak is good. Sometimes bleak is necessary. Some part of life is always bleak.
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Life is not better and more moral than it was in the '50s. It's just the same.
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Sometimes I feel like John Wayne.