Claire Messud Quotes
For me, it was a formative experience reading Eliot when I was younger. 'The Waste Land,' in particular.
Quotes to Explore
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The first movie I really clicked with was 'Die Hard' when I was 6 years old, which is crazy that I was watching it that young. That was the one that made me want to become an actor.
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It is crucial that we develop real awareness of ourselves as citizens of Earth, linked by mutual and indissoluble bonds. When we clearly recognize this reality and ground ourselves in it, we are compelled to take a strict accounting of our way of life.
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I suspect that one of capitalism's crucial assets derives from the fact that the imagination of economists, including its critics, lags well behind its own inventiveness, the arbitrariness of its undertaking and the ruthlessness of the way in which it proceeds.
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I like hip-hop, but I don't like concerts. There's, like, sweat on people's backs.
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Acting is exciting. It is different every time you do it.
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I think socializing on the Internet is to socializing what reality TV is to reality.
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A lot of West Virginia is untouched. It doesn't have as many strip malls, it has these old towns that feel like it used to be how it looked. Charleston has this river that runs through it, and it's really beautiful.
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Rock and Roll has no beginning and no end for it is the very pulse of life itself.
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My parents are divorced, and seeing that was really painful for me. Really painful for me. But that's also a big part of why I'm intrigued by the dynamics between people – because I was close to something that fell apart.
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A dinner invitation, once accepted, is a sacred obligation. If you die before the dinner takes place, your executor must attend.
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As a business person, I want the world to share the prosperity together.
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When Hillary was First Lady, we went to the Beijing Women's Conference. She courageously stood up and spoke out on behalf of human rights and women's rights, inspiring millions to fight for a better future.
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The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
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It's hard to see how the Copyright Office can rise to the many challenges of the 21st-century work that you do without dramatically more independence and dramatically more flexibility.
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I've been booed on stages. I'm a little bit tougher than to walk off a stage because someone says something ugly.
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Since I have been singing for so many years, I don't always need to approach a song quite so laboriously and meticulously.
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I have been absolutely hag-ridden with ambition. If I could wish to have anything in the world it would be to be free of ambition.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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In some ways, I feel like I've always dabbled in nostalgia. It's just what I do; it comes naturally.
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Reading should not be presented to children as a chore, a duty. It should be offered as a gift.
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How can this cosmic religious experience be communicated from man to man, if it cannot lead to a definite conception of God or to a theology? It seems to me that the most important function of art and of science is to arouse and keep alive this feeling in those who are receptive.
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Serious poetry deals with the fundamental conflicts that cannot be logically resolved: we can state the conflicts rationally, but reason does not relieve us of them.
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There is as much difference between the counsel that a friend giveth, and that a man giveth himself, as there is between the counsel of a friend and of a flatterer. For there is no such flatterer as is a man's self.
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For me, it was a formative experience reading Eliot when I was younger. 'The Waste Land,' in particular.
