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I never hire a stylist.
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When it comes to fame, I am in a very convenient position. I live a very normal life.
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I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.
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I used to spend hours at night, downstairs, in front of the only full-length mirror in the house, standing on the table working out what I would wear to school the next day.
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I feel like I'm extremely normal. I do have a bizarre face that's a bit out of proportion. I guess that's why some people see me as strange.
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I'm always curious about anyone who has enough passion to go onstage and say, 'This is what I'm really passionate about.' It's always worth listening to.
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There is no moment where you can rest and think: 'Wonderful, I have that job now. I'm going to spend five years here.' There's a constant judgment on your work that's very strongly related to what you are.
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I've often been told that I'm a bit strange. I hear that pretty regularly, but it is not how I see myself.
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A film is a great deal about what you see, and the silhouette of a character tells you a lot. I'd love to go into film costume.
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When it comes to photo shoots, there was a clear moment for me when I thought, 'I'm going to have to enjoy this because it's going to be a part of what I do.'
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I'm never anywhere for more than three weeks.
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I feel so lucky that I live in a society that lets women be. I think that's the one of the biggest fights to keep having, is to fight for women to have the right to live their life the way they want to live it.
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The more you live, the better an actor you are, but maybe I'd like to do something else on the side. Something to pay the bills as well.
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I think it is important to pass on the message to young people who are going through a difficult time with friends that it will pass.