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The New Gods really need to be larger than life. There's an operatic quality to them, and they need to be handled pretty carefully, or else you'll go too far and be almost like a caricature.
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One of my earliest jobs drawing was 'Wonder Woman: Our Worlds At War,' with Phil Jimenez, which was a really cool jaunt through her history. I got to draw this two-page spread that was set in the Golden Age.
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You want, whenever you're telling a story, to have a certain amount of range, and you want to be able to take the audience on that ride with you.
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Wonder Woman feels like she's been put on a pedestal for so long, and it's hard to write that character because they're perfect and they can't do anything wrong.
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What I like about 'Paper Girls' in particular is that, because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more and think more of their interiority.
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I do all my coloring on PhotoShop - it's good and bad: It helped refine my color, but I do miss the texture and organic quality of the traditional.
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If the reader doesn't care or relate to the characters, all that visual spectacle is pretty but feels empty.