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There are situations when, in your singing, in your interpretation of songs, for instance, when you want a straight tone. And I have to work really hard at getting a straight tone... That's sort of like if you have curly hair, you have curly hair.
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I think it's important to cultivate as many people as you can to see which ones you jive with. And it makes you happy. If one dies, you have another one. So living is a process that you have to do by yourself, and if you can learn a few little goodies along the way that might make it easier for you, so much the better.
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I really, really enjoy music and that's why I do what I do.
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That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.
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I've been very happy to see some of the success that I've had along the way in opening the eyes of people, especially people who listen to music.
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It's just that some people are lucky and people still seem to enjoy the music.
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I've paid the price over the years, though: a lot of injuries and surgeries related to my sports career; my hips and knees took a lot of wear and tear.
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First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
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I think there are a lot of people who really want to be famous, they really do. I don't. It sort of gets in the way of the everyday things that I do.
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Homosexuality is a way of life that I've grown accustomed to.
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I've lost a few notes on the top. But I've gained a little insight about what makes people comfortable when they're listening or watching a performance of mine. It usually has to do with singing something that isn't vocally too strenuous.
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Most of the people I hang out with who sing love it, and they just want to do it until they die. I still look forward to the performances. And believe it or not, they're all kind of different. Even though you sing the same songs, and maybe you go to the same venues, it just feels completely different every time you go on stage.
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I cannot tell you how lucky I am: the songs that I sing, I like!
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It's always nice to hear people say, 'You sound the same,' when I know I don't.
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I'm just one of the lucky people. I have no other reason for my longevity.
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My parents were over the moon when I had some success with Christmas songs because that was the time of the year that meant so much to them. They were able to see their loved ones, and it was great to hear their son's voice on the radio while they visited.
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It doesn't mean a thing when others tell you you're good. You have to feel it yourself.
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I also met, early on Ella Fitzgerald. Her songbooks are some of the most amazing bodies of work.
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Sometimes being famous gets in the way of doing what you want to do.
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Over the years, I was lucky; right from the beginning, I studied with a lady who had a lot of... she was a classical singer, and of course, they're a little bit more into, you know, preserving the voice, making sure your instrument is ready to perform.
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I've found that the more friends I have, the luckier I am.
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I always felt like what I was doing wasn't selling toys; I was making a happy sound at Christmas. When people hear something so familiar, it brings them back to a special place, and that's been meaningful for me.
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My mom loved my Christmas music, so I did an awful lot of it!
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I decided right away that whomever was going to advise me had to be fundamentally interested in music. This protected me from the skullduggery common to the music industry then and that still exists today. Of course, using this method meant that some things we didn't know and just had to learn how to do it together.