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I don't lobby where work is concerned. As long as I know I've got something coming up, I don't really worry. It's not that I'm not ambitious, but I don't have a drive to be hugely successful and be working all the time.
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I loved Winnie the Pooh, the Disney character, and I loved his wit and warmth.
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I find just being on set embarrassing. Mortifying. And that's with all my clothes on.
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Most of my memories are the sound of rain on caravan roofs.
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It was both comforting and terrifying to go in to audition for 'The Girl in the Cafe,' as I'd worked with everyone in the room on 'State Of Play.'
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I walk away from jobs generally feeling good about it and that I've done a good job. And it's always slightly deflating when I see the film thing because it's still me up there.
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People don't change very much, and the things life ends up being about don't change from generation to generation. Life is about love. And people's stories don't really change. Your environment changes dramatically, technology changes, but people don't change, in the way our minds work.
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They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
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I've always been pretty self-sufficient. I never had to borrow money from my mum, even in the early days.
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I've done TV and I've done film, and I'm not snobby about it. It's about the project.
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I get claustrophobic in a harness. I'd be a terrible superhero.
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Mine wasn't a lakes-and-boats kind of childhood. I grew up on a Glasgow council estate with a single mother. For our holidays, we went to Grandma and Grandad's caravan near Aberfoyle.
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I adore the fact that when I'm driving home from work, as soon as I hit my neighbourhood, I see people I know.
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When I started acting I knew nothing. It was a momentous decision to pick up the flyer for the 'Trainspotting' audition. 'Destined' is a bit of a poncy word for it, but I do think I was headed in that direction.
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I was interested in drama, but it never seemed like a real profession somehow. It was so outside my experience, and I probably wouldn't have had the confidence for drama school, though I did send off for an application form.
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I spent pretty much all my wages from 'No Country For Old Men' on a pair of cowboy boots. They're ridiculous. It's like wearing two Christmas trees on my legs.
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Robert Altman was such an incredible person to have the privilege to know and meet and have dinner with.
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I've done a few American accents. I've maybe passed a test. But I don't know if it makes things easier or not.
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The people on programmes like 'Made in Chelsea' just want to be celebrities. It's so depressing. No proper actor has that as a goal. I'm striving for longevity in my career.
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A few years ago, if you had told me I'd be moving back to Glasgow I'd have said, 'No way'. But it's changed. It's much more vibrant, bohemian. But I'm 35 and I've become a bit of a homebody, I don't really go out much. Same in New York. My home could be anywhere but I love Glasgow.
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L.A. is brilliant, but however long my trip is I'm always ready to leave. But New York I'm never quite happy to see the back of.
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It's really great if people actually want to see something that you've made and you've put a lot of effort into. And that doesn't always happen, and there's not always a rhyme or reason.
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It's that TV thing. You can be in the biggest film of the year and it will still not have the kind of impact a TV series has. Once you're in people's living rooms, that's it. There's no hiding place.
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I don't think I've been shy in the past. Young and uncomfortable, maybe. But shy? It has become this annoying term that I've been lumbered with.