Marilyn Minter Quotes
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If you really have something to say, sooner or later it will be heard. And if you're lucky you'll still be alive.
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I've always worked from images that already exist in our culture, and I just tweak them - I photograph my vision/interpretation of things that already exist, and I take it to the extreme. And then I make paintings or videos.
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My work is about the world I live in. So, I sort of make a picture of my life or our lives. I'm always looking for something that is overlooked, so I need to constantly be aware of what's going on.
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You know when women look their best? When they're in love.
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Only be an artist if you have no choice!
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Planned Parenthood is being mentioned by the Republican Party more than ISIS. I think Trump is insane. I don't think you could have a normal conversation or even convince him. I think the ego is just about Trump. It's not about the issues at all.
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I think I might be hitting the zeitgeist. All around you, you're looking at beautiful people that have been turned into robots. Maybe the eye is craving a little upper lip fur.
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I work in a studio with lots of young people, most of whom are my former students. We delight in trading YouTube videos! We all stop working to watch them. I'm totally addicted to anything with kittens and puppies, but 'Very Scared Kid' is one of my favorites.
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In the late '80s, I think my vision was chasing people out of the room. Nobody else thought like this. I was really this pro-sex feminist.
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The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
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The fashion world tells me how much they love my work, but they don't hire me very often. Tom Ford did, and he hated it. Naturally, he wanted to Photoshop away the imperfections, which is perfectly understandable. They want their vision.
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Threads of Rosenquist and Warhol are all through my work. But I'm messier - and wetter. It's the female perspective. I'm not as tidy, and they were both very tidy.
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I remember hearing a radio segment, while working in the studio, that detailed how officials were trying to systematically - and quietly - eliminate individual Planned Parenthood centres throughout the country by tweaking state laws so that it'd be harder and harder and harder for them to operate - and it was working. I was incensed.
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Art about art and backstory has taken over visual pleasure.
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I think there's still this huge glass ceiling for women owning sexuality. And especially young women. If you're an old lady like me, I can do anything now.
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I take things that already exist and just push them.
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I am an illusionist. That's why I create art.
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I still don't feel like I've made it. I can't imagine ever feeling like I've made it.
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When Photoshop came around, I thought I'd died and went to heaven. When I hear artists say, 'Oh, the good old days' or 'I'm old school,' I just want to puke. There's no tool I won't use.
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I like working with women who own their own power.
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I was there when they shut down the Pentagon; I've been going on protest marches my whole life... And now, this fight against controlling and policing women's bodies feels like a war.
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I'm from the South; there's been such progress since I was young, with racism, with feminism. The environment is next.
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I love the idea of making images of the parts of the body that we all have but that no one pays attention to, like the soft area underneath your nose.