Marina Abramovic Quotes
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.

Quotes to Explore
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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Though we may know Him by a thousand names, He is one and the same to us all.
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When tulip mania dies down, all that remains are pretty flowers. When bubbles burst, nothing is left but soapy residue. But the Internet revolution, for all its speculative excesses, really is changing the world.
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Solange's new album, 'A Seat at the Table', is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music.
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Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.
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I tell people all the time, 'Don't give up.' We get almost to our blessing, whether you believe spiritually in God or in a good force and an evil force. We get almost to our blessing, and we quit. Don't stop.
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I find the whole situation of confronting an audience terrifying.
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Cycling is a sport of the open road and spectators are lining that road.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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I have my faults, but changing my tune is not one of them.
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I think the rise of China is inevitable, because China has moved from a low-cost producer, at low levels of technology, to higher levels of technology, and because it's very competitive, even in some high-tech products they offer at very competitive rates - much lower than their competitors.
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All I remember is the last time I played a videogame, it was Space Invaders.
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I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
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Any good attacker will always beat a defender who's face-marking you.
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I could walk into anyone's home one time and draw a three-dimensional architectural plan of the inside of their home from memory, but I could not add up a column of numbers.
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Public appearances are a headache. I hold mine down to a minimum.
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Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.
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What the government and we in society need to do is to address the issue of gender justice.
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My father made about $25 a week. We always lived just on the edge.
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You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good.
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You can take a bad singer and make them sound decent; you couldn't do that in the past... With things like Pro Tools and all the other things you have available; like auto tune, and pitch correction you can make someone who can't sing into someone who can.
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Doing a life study while drunk and in the process of being seduced is never a formula for quality art.
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During rehearsals I am confronted by things very mysterious. I have terrific fights with inner demons, and it's more painful than it ever was.
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From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.