Marina Abramovic Quotes
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You know I very much respect Yvonne Rainer, she is very important - in American dance, the entire development of modern dance, and creating a wonderful physical language.
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Performance has to be mainstream art. This is what I'm fighting for.
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I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
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Woody Allen has a wonderful line: 'Today I'm a star. What will I be tomorrow? A black hole?' That's very important to know - that you have the moment, then you lose the moment. You have to see your chances, you have to take them, and you also have to see when you don't have chances to take.
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The public is in need of experiences that are not just voyeuristic. Our society is in a mess of losing its spiritual centre.
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We always project into the future or reflect in the past, but we are so little in the present.
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The most revolutionary ideas are not sellable, but only mind-changing.
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When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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Performance is there, and if you are not there in that moment it happened, it just stays in the memory. It's so immaterial and something this immaterial is very difficult to collect. Its difficult to buy, its how we can buy immaterial art.
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I think 21st century should be art without objects.
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One of the most wonderful things for me is to watch somebody else perform, where I am the audience - I love this more than ever.
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You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.
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People in New York never have time for anything.
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Every party is the same, too many people, too little food, and you have to wait around. I'm extremely bored with parties.
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I believe so much in the power of performance I don't want to convince people. I want them to experience it and come away convinced on their own.
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In real life, you just work for the ordinary self, but in the front of audience you become the superself. That's a completely different thing.
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You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.
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The big problem of our modern society is that we feel that we are separated from the nature. But it's just the opposite. We are interrelated and our DNA is the same. And only when human beings understand that, the nature will not be obstacle.
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Theater is something that as a performance artist you have to hate.
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I'm interested in asking: 'What does feminine energy mean?' I don't have answers - I just have questions and interesting examples.
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From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
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With classical ballet you are literally injuring yourself.
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The hardest thing to do is something that is close to nothing.