Chaim Potok Quotes
I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

Quotes to Explore
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I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
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I've been busy for years, buying land, often under pseudonyms, and planting trees on it. All the money is going into it when I die - and in the end I'd like to think that it will be 20 to 30,000 acres.
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Sex is the ersatz or substitute religion of the 20th Century.
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Recruiting is the hardest part of any business, but in charity, it is 10 times harder.
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There is a humanitarian impulse that one aspires to and there are days when one doesn't do it very well.
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Some people are used to having things done for them by her parents, I am not. I can do it myself.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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I am very lucky I got fans, and I interact with them personally. I know that they have poured their love on me unconditionally, and all I can do is work hard and be kind to them.
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Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.
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There's a pleasure in being reminded of the value of ordinary life.
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I had Hallowe'en parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.
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We are ready to work hard, work together to re-elect President Barack Obama. We must do it because women deserve to make their own choices and determine the course of their lives.
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When I look at acting careers that I really admire, I see that it's been a precise decision-making process for these people. They make decisions based on what they love, and they do only the things that they are passionate about. They play only characters that they can't stop thinking about.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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Only the other world has substance and reality; only good deeds and holy learning have tangible worth.
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I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
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Zionism was originally a rebellion against religious Judaism and the PLO Charter was essentially secularist. But because the conflict was allowed to fester without a resolution, religion got sucked into the escalating cycle of violence and became part of the problem.
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A person who suffers from severe locomotor anxiety finds himself in an almost permanent state of mental tension. He wakes in the morning with the anxious expectation of having to go out somewhere in the course of the day.
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The idea that owning a gun in America was an individual right only dates to the 1980s.
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I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
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My performances may have elements that some may find entertaining, but that's not my main purpose.
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Having 'The Expats' not be 'wholesale-y' rejected by the world made it possible for me to write the second book and have a publisher buy it before it was entirely written. And it made it easier for me and my publisher to get 'The Accident' out into the world without trying to convince people to pay attention to it the way you do for a first novel.
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What does bother me is that I have to spend time and energy dealing with the ramifications of what people do think about me.
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I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.