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I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.
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Audiences seem to have a limitless appetite for vampires and for fantasy in general. Unlike many other British actors, I haven't been building up my pension appearing in films like 'The Lord of the Rings' and 'Harry Potter,' but fantasy has now got a grip on me. I am also appearing in 'Game of Thrones' as the head of the House of Lannister.
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I'm riddled with cynicism. Whenever anyone says 'trust me,' the hairs go up on the back of my neck.
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When you get to a certain age, the work begins to thin out.
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There is a huge fan base; they're very knowledgeable and very loyal. I was astonished - before I started working on the series, I didn't know anything about 'Game of Thrones.' I hadn't heard of the books.
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I think it's counterproductive for actors to come to the set with well-thumbed copies of the book their film is adapted from.
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We need to look to our laurels a bit with television in this country. I don't think enough risks are being taken in drama television in the U.K., and I think a lot of programme makers are underestimating the intelligence of the viewing public, basing it all on ratings.
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We had five goats, two dogs, a cat and racks of commentaries on Shakespeare.
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I'm playing one of the principal roles, which gives you more clout and more confidence.
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It's a question of keeping one's eyes and ears open and watching how other people play the game. They're watching me too, to see what my attitude is like.
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A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.
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Most films are written and made with a hero around 35, or even 25.
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You should encourage a child to show off. You can say to a child, 'Stop being rude,' 'Stop shouting,' 'Stop jumping around on the furniture.' But 'Stop showing off'? That's awful.
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I've done maybe twelve of Shakespeare's plays. I was with the Royal Shakespeare Company for years. Whatever influence that has never leaves you. If you learn to drive a car, and you learn the right way if there is ever a right way. You learn the good aspects, you learn to drive properly. And that never leaves you.
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Actors can't retire. If actors retired, there would be nobody left to play old, wrinkly people. You have to keep going, darling - don't you?
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In my home, I listen to music; I play music: I play guitar and I play ukelele. And I swim and I ride a bike and I do all the things that everybody else does.
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You have to be selfish to be an actor.
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Runners are the lowest of the low in film units. They're paid very, very minimal wages - probably below the national average. And runners are now being asked to drive actors about, as well as their runner duties. It's kind of the same as taking advantage of nurses - it's appalling.
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I would have liked to have worked with Ralph Richardson and Paul Scofield, but they're dead now.
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I've got a range as an actor! There was a time I played dramatic leading men.
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I mostly play old period songs, as they suit a ukulele more. I bought it when I saw the tribute concert to George Harrison. Joe Brown came on and sang 'I'll See You In My Dreams,' and there wasn't a dry eye in the house.
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Your senses are reeling all the time. Finally you find something to write and the very next day you go out and see something else which totally contradicts what you've written and every conclusion you've come to.