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I felt that by the late '90s, I'd gone as far as I could with the keyboard.
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There's challenges in life that present themselves unexpectedly, and if you rise to them, then those challenges will toughen you up.
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There's parts of touring I like. I like the actual performance part, but the bit when you're in the airport waiting at the carousel for your bags to come around, I don't like that a bit.
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I saw the Sex Pistols, and they were terrible.
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New Order has always been a hybrid band. We always mixed guitar, bass, drums with electronic.
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I entered music at a poppy level.
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Being a single mother in the late 1950s was a very shocking thing - and dreadful thing - for people.
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It's impossible to capture every single facet of someone's personality in a film.
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It's disrespectful to the older generation to have long hair. They fought in two world wars; they didn't fight for us to grow our hair and look like girls.
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I'm very proud of New Order and Joy Division, that heritage of songs.
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I think in South America people are very, uh, they have no inhibitions and wear their hearts on their sleeves - what's the word? They're very expressive, demonstrative.
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I always felt like there were always egos involved when I was trying to get music finished in New Order. Sometimes it would feel like I was running through water.
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I was no good at anything else at school. But I was good at one thing, which was creativity.
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My mother, Laura Sumner, had cerebral palsy. She was born absolutely fine, but after about three days, she started having convulsions that left her with a condition that would confine her to a wheelchair her entire life.
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If you're driving around or at home with the stereo blasting pure dance track, it gets boring within about 15 minutes. It doesn't work at home like it does in a nightclub. You've got no atmosphere.
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The words that I'm most happy with are the ones that come from my subconscious rather than my conscious. They just feel right. I think that's the same with music, really. If you're doing an album, there's ten or eleven sets of lyrics, so you get to the point of inspiration ten or eleven times - it's difficult.
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We're all private people, but as a musician, I think that once you get to the point where there's more of your life behind you than in front of you, you owe it to your public to explain yourself.
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Where I grew up was a place called Salford, which was the industrial heartland of Manchester. And where I lived in Salford, I could walk to the center of Manchester within about 20 minutes. So I lived really close to the center.
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I think that if you're on the same team, you should be pushing in the same direction.
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Choosing a name for a band is always a difficult thing, and I don't think people should read too much into a name because, after all, it's just a handle. It doesn't mean anything.
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Part of the reason I joined Joy Division was so that I really wouldn't have to grow up.
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I think when you're in your 20s, going from adolescence to about 24, I think your life is a series of emotional storms that you have to weather. Life is more emotional at that time, and you're less equipped to deal with what life throws at you. I always think that if you can get past 24, than life really starts at that point.
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If you have a bereavement in your family, it's a terrible, terrible thing. But, you know, time passes. It's part of the cycle. It doesn't hurt so much.
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I've realized that I owe people a look behind the scenes of my own story, because I don't think anyone can have a true understanding of the music without an insight into where it came from.