Black Country Communion Quotes
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All I'm trying to do is simply play guitar and elicit this creativity from the instrument.
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I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
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A guitar is a guitar. Whether it was made yesterday or 51 years ago, if it's good, it will stand the test of time.
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If it wasn't for guys like Gary Moore, I wouldn't exist. He not only proved that the blues could rock but it could draw a crowd as well. All of which made a huge impression on me.
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If I'm soloing, I usually try to start with a theme, which will often stem from the blues.
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I feel like I always learn from somebody who can do something better than I can.
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Everything Paul Kossoff did came from his fingers and went right into the amp. He was his own effects unit.
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The blues, the way it's interpreted, is always a product of your environment, and so it's almost like food. You know, it's like you use the ingredients, and you use your life experiences that you have.
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Most blues guitar players don't concentrate on singing and melodies. And forget about the bridge - the bridge doesn't exist. They go straight for the solo.
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I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
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That's where the Black Keys and Jack White have succeeded and I've failed: They've actually convinced college kids that they're listening to hip music - but it's just blues twisted a new way - while I'm playing for the college kid's parents.
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Who's to say a blues man can't play rock and roll?
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I don't have any legato skills; I could never figure out how to roll the notes off.
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Whenever I hear my playing, I can't detach from my influences: there's my Jeff Beck, there's the Clapton bit, the Eric Johnson bit, the Birelli Lagrene bit, the Billy Gibbons.
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Being a niche kind of artist, you're not going to make a lot of friends in the traditional music biz.
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I am very proud of my musical growth and contributions to the band in the last four years. I have nothing but positive thoughts and feelings towards John, Mike, James, and John. Jordan Rudess is a friend of mine and a great talent. I wish all of them the very best!
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I like to be in the room with players that are better than me. That's always a good place to be.
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I went through a period in my life where I didn't have money to buy ramen noodles and peanut butter and jelly, but I also needed to go to the guitar store and buy strings and picks and polish and rags. I couldn't live with myself if I didn't play guitar.
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Greece is so beautiful and inspiring.
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I'm not sure when I first heard about Beth Hart. I do remember seeing her on various TV shows. I think I'd seen her on 'Conan O'Brien' or whatever. And it seemed that whenever we'd tour Europe, our paths would cross.
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I'm always looking for something new to do.
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When I write for an album, I'll always have about 30 different types of instrument around me. I set them up in a small room with my computer running GarageBand, which is always set to record.
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I'm not one of those people that has to share personal experiences. That's not really the kind of writer I am. I'm a very private person to begin with.
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My goal for 'Black Rock' was pretty simple: I wanted to make the feel-good record of the summer.