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I've spent most of my life playing with Tom Petty, and he's a damn good songwriter.
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An act like ours wouldn't even be around today if someone hadn't brought us along and let us make mistakes and grow at our own pace. Today it seems that if you don't have a hit - or even if you do - they have no use for you the next time.
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I developed a problem with authority. Any time that authority was what I interpreted as being unjust, I stood up to it, and that became my personality.
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Buy me a drink, sing me a song; take me as I come, cause I can't stay long.
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I learned that the songs that mean the most to me are the songs that I write by myself. While there were people I wrote really well with, particularly Gary Nicholson and Delbert McClinton, and I really enjoyed the experience, I came away from it feeling like I need to write by myself.
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Good loving is hard to find, you got lucky babe, when I found you.
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Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.
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I'm not the best singer, but I like the way I sing my songs.
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Listen to the Beatles' 'Things We Said Today.' Ringo Starr does not play a fill in the entire song. It doesn't need it. 'A Day In the Life' has gorgeous fills, but there, the song needs it. When I play on any record, I'm striving to get where Ringo is. You play what doesn't take you out of the song.
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The idea that I could write songs that people wanted to hear came from other people who said they liked what I did.
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He (George Harrison) told me he really, really admired John Lennon. He probably wanted John's acceptance pretty bad, you know?
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I'm tired of screwing up. I'm tired of being down. I'm tired of myself. I'm tired of bein' down.
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She grew up hard and she grew up fast, in the age of television.
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The music has to be affordable. It's the common man that keeps it going, and if you price it out of his realm, it becomes a thing of the elite.
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Gonna wind it up on my guitar. Gonna make that silver sing.
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I'm not an overly skilled piano player or organ player at all, but I think I'm the right piano and organ player for the Heartbreakers. And I've been the right piano and organ player for a lot of sessions that I've been called on.
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That's stupid. You couldn't pay me to go. I'm not oversimplifying it. That's what's going on. I don't think it would be any fun without the drugs. It's a drug party.
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I can't crawl any further. You never crawled for me.
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I don't know about five guys against the world. It's more like five guys against these three chords, and we're gonna wrestle 'em down no matter what it takes.
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Bob Dylan's not a hype and a haircut: he's the real thing.
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It’s very uncomfortable to hear them used when I don’t agree with what’s being said. But I recognize that those songs have entered into a bigger life, a life all their own. They belong to the audience. How they’re used isn’t always something I can control.
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I'm learning to fly, but I ain't got wings. Coming down is the hardest thing.
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I don't think it's a good attitude in your life to feel that you have to be rich to have self-esteem.
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I learned to play piano in a rock n' roll context or band context from country records - you know, Floyd Cramer - and from the Beatles and the Rolling Stones and Stax. And none of those are keyboard records.