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There is magic on earth.
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Free got famous fast, and it was a shock. You're working towards it, and when you suddenly get it with bells on, it is a bit much. I don't know how well I dealt with it.
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There are so many challenges and different parts to the job of singing. When you're in the studio, you have to be really, really, precise. You've got to keep everything clean and nice because that's going to be something that's down forever. And then you go onstage, and it's much more in the moment.
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There's a lot of trickery that can go on in the studio, and there's a lot that one can do - none of which I am interested in even slightly. I mean, you can actually tune vocals and stuff like that, but it's so hideous, I can't believe it.
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I am proud to be a Canuck.
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Artists like Otis Redding, Sam & Dave, Albert King, Ann Peebles, Isaac Hayes, and so many more gave me hope when I was an angst-filled teenager trying to make sense of it all... They were my teachers. Through their music, I learned how to live, how to be true to myself, and how to tell my story as a songwriter the way that I was feeling it.
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I like to be in control of my own destiny.
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I liked the 12-bar blues because everybody could play it, but they could also play it their own way, and they could express their own emotions using that as a structure.
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I didn't really like the '80s, to be honest with you. There was some good music that came out, but it went a bit disco for me.
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If you look at my history, my history is that of forming bands rather than joining them.
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When I went down to London in '67, I had three things in mind: To survive, to find peace of mind, and to make music doing it.
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I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
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Only Freddie Mercury could do Freddie Mercury. He was absolutely brilliant - I loved him to pieces, and I had a great deal of respect for him.
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In order to write music, you need lots of Tabasco sauce.
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When I was in my teen years and in my 20s and even 60s, it was okay to drop everything and disappear and become a road warrior for all those months. But after a while you get... y'know, one likes to have some home life.
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I enjoyed playing with the guys in Free Spirit so much because they really dug into Free material, and I really liked how they expressed it. They have a lot of dynamics.
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One doesn't have to sit through exams and go to universities to play rock n' roll.
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Live music is where you get the inspiration and the creativity.
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I get a bit quick-tempered sometimes.
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Soul and blues were a definite influence on me. It was raw and naked emotion which you didn't get much where I come from.
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Every day, every time I sing, I feel blessed, really, to be able to do that. It's like having wings, in a way. It's a bit like flying sometimes, because you go off into another realm. And a whole lot of people come with you. It's amazing.
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A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'
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After leaving Queen, I decided to stop doing those mega-four-month tours. I go out for a month, and my dog recognizes me when I come home.
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I have a secret weapon. My wife Cynthia is very good at keeping me in shape. She's very good for me. She's the best thing that happened to me.