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Ideas worth questioning: 'Being an artist is a job for life.'
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Democracy is a daring concept - a hope that we'll be best governed if all of us participate in the act of government. It is meant to be a conversation, a place where the intelligence and local knowledge of the electorate sums together to arrive at actions that reflect the participation of the largest possible number of people.
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One often makes music to supplement one's world.
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But when I started writing songs, I stopped painting completely, and the only art things I do are connected to the career, like album sleeves and, to some extent, posters and things like that.
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Art is not an object, but a trigger for experience.
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It's nice, I think, when people use your music for things you didn't think of.
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I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
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I love the sort of ambivalence of this, the ambiguity of something - being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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Performing was terrifying.
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People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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I'm struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
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Lyrics are always misleading because they make people think that that's what the music is about.
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I often work by avoidance.
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The only value of ideology is to stop things becoming showbiz.
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It's not the destination that matters. It's the change of scene.
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Pop is totally results-oriented and there is a very strong feedback loop.
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Software options proliferate extremely easily - too easily, in fact - because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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I don't like celebrity programmes - but I do like programmes about how ideas are formed and evolve.