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My two interests are spirituality and politics. I would mesh them in some way; maybe try to figure out the politics of spirituality, or the spirituality of politics. Or maybe come up with this really crazy naive solution for the end of civilization.
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And then we end up in this hospital somewhere really awkward and this woman gives birth to a newborn child and the child is carried out with this blanket that's red, ... So it's like life. So it starts with death and it ends with life. And the soul travels through three different beings a bird, a girl and a newborn baby. So it's kind of my interpretation of reincarnation.
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Whatever I write has to evolve around my taste in music at that moment, because that always changes.
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You can say a lot more with a poem than you can with a song, but with a song you can really be more powerful with it. You can express it a lot more powerfully.
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Music is pretty much all I do.
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'Elect the Dead' is a rock record that takes you on a journey with different types of genres integrated, different lyrical themes digested, and many fun and colorful moments to enjoy.
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Life is that perfect fine line between ironies.
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With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.
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I'll always be a member of System of a Down. That will never change.
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There's no rule that says you have to make records constantly, like clockwork, to continue being who you are.
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When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.
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I think every artist should follow their vision, their hearts is what they need to reveal, not something that society is looking out for.
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Every song I've written is luck, I think; it's luck - 'How did that just happen?'
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It's the idea of a multi-sensory experience stemming from music that opened my interest into painting, to be honest.
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Music is an emotion, and I put it out there.
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Other kids would take their parents to the toy store and I'd take my mom to the record store.
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We're addicted to this concept of civilization - we can't imagine living outside of it because we've had it for 10,000 years, all of what we call history. But according to archaeologists, humanity has been on this planet for millions of years in indigenous form.
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We first fought... in the name of religion, then Communism, and now in the name of drugs and terrorism. Our excuses for global domination always change.
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You put too many songs on your record, and it ends up like a family with too many kids: some of them get neglected.
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I think it's my interaction with journalists that has pegged me more as political than my actual records, although they have obviously political aspects to them as well.
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I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.
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I ain't got no beef with Obama.
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Basically I write songs, and I need for there to be a home for these songs.
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I don't want to spend all my time working as an activist. I don't get satisfaction out of it. I'd rather be doing something else. I'm a musician.