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The idea that we're somehow centrally important to the planet's existence is pretty comical - although I'd like us to be.
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I use God in my songs a lot but I don't have a relationship. I don't know what that means.
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I think some people would say that I do overwhelm the words with the music, and sometimes thank goodness I do.
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I'm partly obsessed by aging gracefully.
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I was regularly advised not to go into music, that I should give up that foolish dream.
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I don't think socialism, and I don't think warmness and respect are necessarily bad words.
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A guy and a girl can be just friends, but at one point or another, they will fall for each other... maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever.
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If I find something I like, I'll chase it and see what comes out the other side. Once a song gets momentum and gets away from you, that's a good sign.
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Success turns a lot of people off. I have a pretty solid sense of joy and respect that irritates people, and can irritate me, too.
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I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow. Can you milk a bison?
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When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.
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We give the podium to a lot of people who shouldn't have the podium. The message that's delivered the loudest and in the most entertaining way is the one that we're going to put on because that's what we want. We want ratings more than we want to deliver information. That's just where the culture's gotten.
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The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
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Good music is good music, and everything else can go to hell.
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There's often a lot of stupid ideas like 'you all dress as fruits and pretend you're selling underpants' or 'we'll put you on a bed of nails and drive a truck over the top and photograph you' for the cover.
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I hope that just what I sing about and how I relate to my audience is as much of a political statement as I need to make.
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It's a melting pot, southern Africa. You find these cultural collisions that result in art and music, and it's pretty amazing.
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I fear that our true motivation is about oil and our own flailing economy; about the failure to destroy Al Qaeda and about revenge.
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You wear nothing but you wear it so well.
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That's the magic of this band: shooting from the hip. The lights have to follow our cues, because we're not going to follow their cues. We're not going to stick to a song the way it's supposed to be. Everything is up to us. That's music to me. That's American music. We're an American band.
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Being able to scream at the top of my lungs in front of people is very therapeutic. It is a great gift for me to be able to do that.
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It is criminal to put our servicemen and women in harm's way and to put the lives of so many civilians on the line for the misguided frustrations of the Bush administration.
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A friend is always good to have, but a lover's kiss is better than angels raining down on me.
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Oh! We already, we done already done it, done it, dammit! I could you know, like, sing a thing, and then not sing it for a little while, and then sing it again... and people would be like, 'Why'd he sing that again?'