Alcatrazz Quotes
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Baby don't wake me, let me take you on an endless journey. We touch and the softest kiss explodes with lust. It's real and you can't deny the heat you feel. And if I die before I wake, baby that's all right.
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What I think is the most important thing to learn about any instrument is the basics of music. Learn your ABCs before you write a Hemingway novel.
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If you want to be a virtuoso then you have to set your sights above me. You have to go beyond what I'm doing. And that's for you to figure out. Because if you can do that, then I'm going to be trying to go beyond you.
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My mom really wanted me to be a musician so she gave me a guitar for my fifth birthday, but I didn't start playing till I was seven.
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I knew that I was going to have a life as a musician, because I always felt the pull. I don't remember ever having to make a choice.
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When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.
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Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.
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I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.
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The only thing I ever really wanted was a Strat .. I started playing guitar after seeing Jimi Hendrix on TV the day he died...then I got Deep Purples' Fireball album which was also a big influence .. I have a collection of more than 200 of them that includes Strats from every year since March 1954 - the first month the Strat was made
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My main calling in life is to seek and achieve spiritual balance, and to express that through my instrument. Everything else is here today, gone later today.
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As far as Deep Purple goes, I mean, they're iconic. Their contribution is unquantifiable, and as far as the politics involved in things like awards, you know, I don't think anything, because I know what they mean to me, and I know what they mean to the people who like them. Awards are very politically based.
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In the physical universe, there are objects that include suns, planets, all life, and all matter in all dimensions. And then there is the space where all these things exist. That space is the vital element. For virtually every kid since 1968 who picked up a guitar to find his voice on the instrument, Jimmy Page has been the space that enables all our notes to be played.
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I don't think I approach my songs differently from other artists. You get a big picture of it, and you imagine the song and hear and feel it, and that big picture is like a snapshot, and it comes to you as fast as it takes to click a camera.
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When I was growing up, the blues did seem too simple to me. I was just a muso.
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I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
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It just happens in life, where you resonate with a particular artist. Or it can be a kind of food or a fashion - you discover it and it gives you a whole new lease on life.
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There's very notable dynamics in all of the collaborations I've done. It's hard to say if one is more important than the other, but if I had to think of all situations and point to one band that I enjoyed most it would be when I was eight years old. I had a band with my little sister and the kid across the street. We sat around all day playing music and it was bliss. I didn't have any expectations or do it for anyone or worry about selling an album. That was really my favorite band. We were called Hot Chocolate.
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I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
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The cool thing about playing is that the more you do it, the better you get.
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Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
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I saw this trend happening with the proliferation of guitar clinics and schools. And I was approached to do a camp in the past, but I wanted to have a good enough idea because most of them are just about jamming and learning. I decided I wanted a theme for each camp.
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Play slow and perfect - that’s the way to becoming a virtuoso.
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I was about seven or eight years old when I first heard West Side Story, and it had a huge impact on me. If you look at the elements of that record, it contains many of the things I enjoy doing today.
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I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.