Work Quotes
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The scientist and the artist are both passionate about their exploration. What leads to my work is that I'm equally an artist and an engineer.
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Missionary work essentially is a priesthood responsibility, and all of us who hold the priesthood are the Lord's authorized servants on the earth and are missionaries at all times and in all places - and we always will be.
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I work by instinct. You never hear anything new; when you hear advice that makes sense, it's something you already know.
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All you can do is do good work, and do the good work for the sake of doing the good work and your evolution as an artist. That's what's most important to me.
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I always say you just need 20 minutes a day. That is it: 20 minutes to do really fast circuits, and you can bring some weights with you to work.
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Conservative ideas don't just sound good. They actually work. That's the secret of our success.
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Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
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Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
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I would love to do the therapist on 'Two and a Half Men' again or just work with Charlie Sheen.
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I am ashamed of my emptiness," said the Word to the Work. "I know how poor I am when I see you," said the Work to the Word.
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The joy I get from work is just huge.
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What's important about the artists we learn about in art history and see in all the art books is that they have somehow pushed the boundaries of what people think art is or should be, and that's how they've made their work relevant. That's what I'm trying to figure out for myself.
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The work completed during the special session was just the beginning. During those six days we lit a spark that will positively impact the lives of our children and grandchildren, but the full fire is yet to come.
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I'm a storyteller, and I have really good material to work with: I've been studying magic and the occult since about 1983.
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I didn't play football in school, but I've been a fan of football all my life. I have a fair understanding of it. Doing movies about it really helps because you know what makes them work and what doesn't.
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Even though I've reached retirement age, I still plan to work - writing my investment newsletter, speaking at conferences, publishing books, and producing conferences like FreedomFest.
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You will soon find that I am a bit obsessive about my work. And that is a little sad, one often feels strangely restricted, not finding time to simmer, although one actually has many interests.
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We never can tell how our lives may work to the account of the general good, and we are not wise enough to know if we have fulfilled our mission or not.
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I won't be here long, I am working as hard as I can, as I told you in a letter yesterday, I am very happy to be here Etretat, Normandy and I hope to come up with something good, in any case I will bring lots of studies back with me so I can work on some big things at home.
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We must work together to save and strengthen Social Security not just for my father's generation but also for my daughters' generation.
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I'm somebody who works within Cambodia, with Cambodians. I work alongside the artists and society to work from within, so that is the focus, and from that I hope everybody who believes in democracy, in certain freedoms, will get louder, will grow their voices.
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I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
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Some days I feel good about my work, and sometimes I feel I've never written anything worthwhile. That's par for the course.
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There is a great difference between a young man looking for a situation and one looking for work.
