Why Quotes
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I thought my goal in life was to be in a successful band, and I had got that, but I was as miserable as I had ever been, and I couldn't understand why that would be.
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Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
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Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. 'Hell or High Water''s a good example: I don't tell you why the brothers are robbing the bank.
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The world is full of opportunities - every day there's something new that you can do. For example, you could make dirty water potable. Why does anyone not have potable water? Because it's a problem that hasn't been solved yet, but it can be.
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People ask, 'Why is it called 5 Seconds of Summer when there's four of you?'
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Botox should be banned for actors, as steroids are for sportsmen. Acting is all about expression; why would you want to iron out a frown?
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When I first started cooking, I was very much an intuitive cook when it came to taste, but that didn't mean I didn't want to know why some things worked and why others did not. My interest took me to culinary school.
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Like an adventure who was asked why he climbed the mountain and answered, 'Because it's there!' I think our culture has developed this intense love-hate relationship with risk, in part because it's always there.
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Considering retirement is like skirting with the reality of what's to come, and I think that's why so many athletes decide to do more introspection at that point.
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My father loved biographies. He loved the true tales of interesting people that were shaping our culture. I get why he dug 'Vanity Fair.' You feel smarter, somehow, for reading it.
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Why preach to the choir? You reach more independents and even more Democrats on Fox News given their huge audience than you would on other networks. So I'm grateful to have that opportunity to have that platform.
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After the dotcom boom blew up, it increased the focus on questions like, 'Why should I trust you to help run my business? How do I know you're not going to go away like every other company?' That was hard. We had to keep proving ourselves.
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I received so many hate letters when I breast-fed a starving baby in Africa. I was in Sierra Leone in 2009 and I was weaning my child at that time - she was not there with me. There was a hungry baby who was crying because his mother had no milk, and I thought, 'Why throw away my milk if I can give it to a baby who needs it?'
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Why can't I make up my own characters and paint the people I want to see in the world? I'm depicting the many people who existed in history but whose presence was never documented.
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Apparently, I'm very good at firing a gun without blinking, which is unusual. That's why so many action characters have to wear sunglasses during shoot-out scenes. That's my party trick.
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For me any of the little gestures I make are all tentative probes. That's why I feel free to make them sound as outrageous or extreme as possible. Until you make it extreme, the probe is not very efficient.
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… the point is, why is there cruelty? Why do people ask other people to do impossible things? why behave this way? why is there mean, when there are better things than mean, love particularly?
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Shoes for men are about elegance or wealth, they are not playing with the inner character. That is why women are happy to wear painful shoes.
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Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
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When I hear so-called professional journalists ask why we have celebrities speak for us and for the animals, the environment or social causes, I marvel at their denial of the rules of their own trade.
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It makes no sense to worry about things you have no control over because there's nothing you can do about them, and why worry about things you do control? The activity of worrying keeps you immobilized.
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Once we relieve them from sanctions, their economy opens up, and they can sell oil and pistachios and whatever else they sell around the world. That was why Iran needed a deal. Everyone knows they fund terrorism around the world. Having that extra money will add a lot of problems and create a lot more hot spots.
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The fact of the matter, it's that Trump is getting money from blue-collar workers who send him checks for $250. Why? Who is Donald Trump? It's not who he is, it's who he isn't. Not what he is for, what he is against - that is, everything Washington is doing.
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I navigate through the world with the excitement and determination of a child. That's why I'm an artist. I'd die without an outlet for expression. Unfortunately, more often than not, that childlike energy is the maturity level I bring to many circumstances.
