Music Quotes
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Pop music I have always loved best. But the more extreme, fascist-led examples of the music business I tend to detest the most.
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I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
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I think when I do things outside of music, I am always thinking of different things that are eventually one way or another going to come back to my music. I have to make sure it is all cohesive, as that's important to me as an artist and a person.
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So shall I join the choir invisible Whose music is the gladness of the world.
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I said to myself a long time ago that I didn't want to be that hanging-on-for-too-long, aging-rock-musician guy, and that's why I sort of got away from music.
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When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
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I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
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A great writer named Neal Stephenson said that America does four things better than any other country in the world: rock music, movies, software and high-speed pizza delivery. All of these are sacred American art forms. Let's return to our purity and our idealism while we have this shot.
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We are living in a time when American popular music is finally being recognized as one of our most successful exports. The demand is huge.
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If a guy's got it, let him give it. I'm selling music, not prejudice.
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My first break wasn't professional - I was in 'The Sound of Music' when I was five. I played Gretel, the youngest one, because that was what kind of took off for me in terms of loving acting.
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I'd be dong something creative - something I could express my personality through. I enjoyed working as a gardener before music consumed more of my time. I would probably be still working as a gardener, perhaps, and I wouldn't mind doing odd jobs on the side that were creative, but I'm not sure what they'd be.
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Quite frankly, I've always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.
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I'm not the guy that wants to be famous and make loads of money and sell loads of records. I don't want that. I just want to be true. I want to be... I want to serve music. I want to be honest.
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You get so close to your own music that you can't see the beauty in it. I had to learn to let go. It's good to be less precious.
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I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.
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If you have music that sounds like what you cover, people won't be able to differentiate who you are.
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People get to a certain age and success that they stop being curious. I'm still curious because I haven't really had that success. I've never done a record to catch whatever the latest sound is. It's my love of music, eclectic-ness, and the music that I heard my entire life that seeps in. That's what you're hearing.
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I think 'Horace Silver' was actually the first live jazz group I ever heard back when I was a kid in St. Louis. So along with most players of my generation, I have a real affection for the music of 'Horace Silver.'
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I love arranging my music, not in alphabetical order but by mood, creating playlists for when I have energy and want to work out or go-out party mixes and music to chill out to.
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You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process. You're the artist - you make the music that you want to make.
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The new Zune may not be an iPod killer, but it does offer a clean interface, great industrial design, HD radio, and a subscription model for music, making it significantly less expensive for big users.
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I was using computers for music in the '70s, '80s and '90s, and people didn't get it. They thought you should only use computers for your taxes and making pie charts.
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When I was very young, there was a lot of music at home, mostly jazz. I was walking around singing and pretending I was in bands from a very young age. But the first song that was really personal to me was 'Blue Suede Shoes'.
