Music Quotes
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I play music, I paint - these things come from your depths.
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I grew up in a house full of music. Everything from reggae and afro-beat to Zook and pop.
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MTV definitely has the effect of narrowing the range of music that hits the mainstream. On the other hand, isn't that the effect of television in general?
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Ginny's Little Longhorn is my favorite place to play and hang because it's close to old school beer joint music venue as you'll ever find. The Continental Club is also in the top as well.
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Everybody influences everybody else, in my opinion. There are different trends in music all the time. No matter who starts them, if it's a true trend in the music, it ends up influencing other people as well.
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I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
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When I get on the stage, I try to connect with the fans and offer them the best of the best. I want them to see it as a music journey.
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I'm actually not a very good driver, to be honest with you. I'm a scatterbrain driver. I'm not very focused. I'm always trying to find the right music station or put on a new CD or trying to eat something.
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People come up to me and tell me how they were in a dark place and our music helped them out. It's mind-blowing. It's not just 'Rock Lobster' or 'Love Shack' - there's much more there.
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I was raised on pop music.
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First, I was a glacial blonde doing music programmes. Then I was the film kind of sexy bird late at night. It was frustrating like I guess it's frustrating for everyone who is not fully employing their talents.
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People can be quite cynical. 'The Kills are too cool.' There's been an on-and-off relationship with the music press that loves us and then hates us then loves us again. I don't think any kind of press is reliable.
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You’re never going to get the same track twice from us and we hope our music stands the test of time because of that fact.
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To be in a band, at least according to the rules of rock in the 1970s, one must know how to play an instrument. But rather than waste time solving that problem, No Wavers ignored it. The point was simply to make music, not to learn how first.
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I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way.
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I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.
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I listen to a lot of non-classical music at home, but I don't get many opportunities to sing it.
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We're trying to make the music service a cultural point of reference, and that's why we're making video. We're making video for our Apple Music customers and our future customers.
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Music is a big influence in my work and sometimes drives the energy of where I want to go.
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I think Rush have always had this reputation, particularly to non-fans, of being an ultra-serious and cerebral group when, in fact, the reverse is true. We don't take ourselves seriously at all. Sure, we take our music seriously, but that's altogether different.
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We're falling into a place where melody is somewhat lacking in music. Everybody feels like, okay, too much melody or too much harmony, and it kind of goes over people's heads; they don't understand it.
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Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.
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I have a very strong identity that connects me to Argentina and to Latin America, but at the same time, I have a deep connection to the music from the United States and music from Europe, too.
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Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
