Music Quotes
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I like to make music, I like rap music. Even if I'm white, I support that music. If I want to support it or any other white kid wants to support it more power to them.
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If I'm inspired and music inspires me, then I will continue to play it.
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I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
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I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.
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A person whodoes not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.
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There is a dark music in the screams of your enemies.” (Raphael)
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I love all types of music, and I think the genre lines are starting to get thinner every year.
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Music, unleashed, can uplift and create and destroy, stripping away pretenses and leaving raw, exposed vulnerability behind.
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Music is my love and to me acting is more mercenary. I don't pound the pavements for roles: if it happens, it happens. I hate that auditioning thing.
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How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
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What passions cannot music raise or quell?
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I decided to restore 'Napoleon' after a widescreen festival at the Odeon Leicester Square in 1968. It was run by Richard Arnell and George Dunning, who animated and directed 'Yellow Submarine,' and they'd got their hands on the last scene, the triptychs. They just showed that part, without music and with the projectors misaligned.
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It's hard to remember my childhood without remembering music.
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I love to make music and stay grounded.
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The story of 'Libra Scale,' the storyline was created first, and then the music was created around the story line.
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Lou Reed's spirit and the way he did things was so important. Him and his music mean so much to me as the years go by.
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I am just glad that I can take the music to the people who want to hear it. I love my audiences. I am deeply indebted to them for giving me the chance to sing my concerts, make records, and do what I love. Whatever people call it, it is great to have a voice!
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I grew up listening to - it's kind of embarrassing - all classical music.
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I was always involved in the arts from a young age. I started studying classical piano at age four as a student of the Associated Board of the Royal School of Music.
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I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
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I've never lost the passion for playing, but I've learned the realities of it all, and how hard it is. The music business is a tough business, but I would never tell anybody not to get into it. The first thing you have to have is the love of it and enjoy doing it. That's the most important part.
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Some actors are brilliant in David Mamet, but they would crash and burn in my plays and visa-versa. You either have my music in your body, or you don't.
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I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that my music is stripped of ancillary details, and it just sort of comes out of this big tap called the Internet like water. I like some of my water to be neatly presented in a bottle. With a label on it.
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Sure, I could give advice; I could, say, travel the world, listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer, then you have to make dances.
