Thinking Quotes
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I'm not thinking when I'm writing, 'How's this going to read?' Or, 'What percentage of the audience is going to stay with me?' The thing itself is what gives me pleasure. Sometimes stuff just falls onto the page so beautifully and happily that it's deeply satisfying. It's selfish!
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I look at everything I’ve done critically - but I think that’s the job of an actor. If you ever sit on your laurels or think that you’re good - in a way, I don’t then think you’re pushing yourself.
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The reason I take pride for that is one of the things you worry about when you're in the bubble, and there's all this pomp and circumstance and hail to the chief is, do you lose touch with what you thought was important and what brought you here? And I'm proud that I don't think I have lost touch.
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It's a democracy, and the reason why the conservative movement loses is because it believes that it is elite, that the smartest in its midst who have gone to the right schools and who have worked at the right think tanks and have the right opinions and the right friends can run it for the rest of America. That's why I'm a Tea Party adherent over a Republican or conservative establishment adherent.
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I think it's important when you make a record that you know you're working with the people who are going to get the best out of you.
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I think it's true that we shouldn't apply a strict litmus test and the most important thing in any judge is their capacity to provide fairness and justice to the American people.
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Sometimes you walk away from playing somebody and you think, "Wow that was far as from my own experience as I can possibly be." And sometimes you walk away thinking, "Wow. There are qualities in that character that I didn't realize I had." And those can be both interesting and uncomfortable.
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I don't theorize too much. I sort of let the experience sink in, and I have to discover what the character is by doing it, and having those thoughts that she's thinking.
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I think that one day I won't have any kind of... sort of, or it will be either way, I won't have to think about anything. But at the moment, god I think probably because of what I do and the nature of how it is, I'm all over the place all of the time.
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I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
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We're still talking about women's rights. We can't be the greatest country in the world. I think once we lose that illusionary veil of thinking that we are, we can face the problems and really try to fix them.
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I don't think that it's appropriate for the government to say, in effect, we're going to slow down the growth of housing or that we're going to slow down the extension of the highway and the freeway system.
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People seem to think that folk music is people with acoustic guitars. Or punk music is people with mohawks, leather jackets.
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The thing is, when you put a button in someone's hand and give them the power of yes or no, no is a shorter word. People just say no. The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes. I think people ultimately realize that, but not when they're in the spotlight.
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We are here to repair the world. I grew up thinking that was what everybody was trying to do.
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Many activists just see what's wrong: they want to stand up to injustice and educate people about it. But I think it's equally important for activists to hold a more positive vision of what's right with their country: what's going well, and what they'd like to grow or see more of. I also like to encourage activists to take some time each day to sit silently or take a walk in nature as a way to be in touch with their inner wisdom and peace - and to remember why they are on this path in the first place.
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My beautiful, selfless sister Manuela Testolini-Benet continues to inspire me to be a better woman. Always thinking of others, always doing God's work.
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I grew up in the suburbs, so I remember arriving at Waterloo and seeing Big Ben and the coloured lights on top of the Southbank Centre and thinking, 'Wow!'
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You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.
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Since the music industry cracked and fell apart, gasping for the cash flow it had come to expect, much re-thinking has been the order of the day. It is a fine time to be a musician. Like walking through Sodom and Gomorrah while it is still smoking, on your way to the next gig.
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I think we've moved to thinking of parenting and pregnancy as something in which you should lose yourself.
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I would have I think made a bigger mistake if I had said, "Eh, chemical weapons. That doesn't really change my calculus." I think it was important for me as president of the United States to send a message that in fact there is something different about chemical weapons [in Syria].
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I always thought Woody Harrelson is quite a persuasive guy. He's the kind of guy who can call you up in the middle of the night and tell you, 'Let's all go get a donut!' And you're thinking, 'It's the middle of the night,' but somehow you still get up and go get a donut.
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What's important about the artists we learn about in art history and see in all the art books is that they have somehow pushed the boundaries of what people think art is or should be, and that's how they've made their work relevant. That's what I'm trying to figure out for myself.
