Literature Quotes
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Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.
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I don't see why escapist literature should not also be a work of art.
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I wanted to be involved with literature. I certainly wasn't going to be able to write for a living, and I didn't have enough confidence in my talent to think that I should be just doing that. Publishing seemed like fun to me - to be involved with writers. And it did turn out to be.
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Istanbul is inspiring because it has its own code of architecture, literature, poetry, music.
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Science means simply the aggregate of all the recipes that are always successful. All the rest is literature.
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In all highly civilised communities Pretence is prominent, and sooner or later invades the regions of Literature.
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Believe it or not, my introduction to scary literature was 'Pinocchio.' My mother read it to me every day before naptime when I was three or four. The original 'Pinocchio' is terrifying.
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I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature.
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Our high respect for a well read person is praise enough for literature.
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As an undergraduate I majored in British and American literature at Rice University.
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I don't think any novelist should be concerned with literature.
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Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature.
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One of the great events in my life was my first meeting with Edison. This wonderful man, who had received no scientific training, yet had accomplished so much, filled me with amazement. I felt that the time I had spent studying languages, literature and art was wasted; though later, of course, I learned this was not so.
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I was hugely formed by stories I was told as a child whether that was in a book, the cinema, theatre or television and probably television more than any medium is what influenced me as a child and formed my response to literature, story-telling and, therefore, the world around me.
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I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
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My interest in words and literature is always changing. And every day of work is different, and it doesn't feel laborious in the way that, say, washing dishes did. I'm quite happy to be doing what I'm doing, and I feel very lucky.
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Keats, it must be remembered, was a sensualist. His poems ... reveal him as a man not altogether free from the vulgarities of sensualism, as well as one who was able to transmute it into perfect literature.
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I want to go to college for literature. I want to be a writer. I mean, I love what I do, but its not all I want to do-be a professional liar for the rest of my life.
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The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
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In literature, older women are not often given center stage.
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I have nothing but great respect for great scholars. But I was in grad school in the '80s and '90s, at the height of the theory craziness. It had a big part in why I ended up becoming a writer rather than a scholar, because I thought, "I just can't play these games." I was interested in literature because I loved literature, and so much of the theoretical positioning, at that moment 25 years ago, was antagonistic to literature. You know, trying to show that Jane Austen is a terrible person because she wasn't thinking about colonialism.
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... the habit of literature [is] the best defense against believing the half-truths of ideologues and the lies of demagogues.
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I am interested primarily in the vast field of experience and sensation which neither literature nor a purely plastic art deals with.
